Preface(Part 1)
Sun Tzŭ
on
The Art of War
THE OLDEST MILITARY TREATISE IN THE WORLD Translated from the Chinese with Introduction and Critical Notes
BY
LIONEL GILES, M.A.
Assistant in the Department of Oriental Printed Books and MSS. in the British Museum
1910
To my brother
Captain Valentine Giles, R.G.
in the hope that
a work 2400 years old
may yet contain lessons worth consideration
by the soldier of today
this translation
is affectionately dedicated.
Preface to the Project Gutenberg Etext
When Lionel Giles began his translation of Sun Tzŭ’s Art of War, the work was virtually unknown in Europe. Its introduction to Europe began in 1782 when a French Jesuit Father living in China, Joseph Amiot, acquired a copy of it, and translated it into French. It was not a good translation because, according to Dr. Giles, “[I]t contains a great deal that Sun Tzŭ did not write, and very little indeed of what he did.”
The first translation into English was published in 1905 in Tokyo by Capt. E. F. Calthrop, R.F.A. However, this translation is, in the words of Dr. Giles, “excessively bad.” He goes further in this criticism: “It is not merely a question of downright blunders, from which none can hope to be wholly exempt. Omissions were frequent; hard passages were willfully distorted or slurred over. Such offenses are less pardonable. They would not be tolerated in any edition of a Latin or Greek classic, and a similar standard of honesty ought to be insisted upon in translations from Chinese.” In 1908 a new edition of Capt. Calthrop’s translation was published in London. It was an improvement on the first—omissions filled up and numerous mistakes corrected—but new errors were created in the process. Dr. Giles, in justifying his translation, wrote: “It was not undertaken out of any inflated estimate of my own powers; but I could not help feeling that Sun Tzŭ deserved a better fate than had befallen him, and I knew that, at any rate, I could hardly fail to improve on the work of my predecessors.”
Clearly, Dr. Giles’ work established much of the groundwork for the work of later translators who published their own editions. Of the later editions of the Art of War I have examined; two feature Giles’ edited translation and notes, the other two present the same basic information from the ancient Chinese commentators found in the Giles edition. Of these four, Giles’ 1910 edition is the most scholarly and presents the reader an incredible amount of information concerning Sun Tzŭ’s text, much more than any other translation.
The Giles’ edition of the Art of War, as stated above, was a scholarly work. Dr. Giles was a leading sinologue at the time and an assistant in the Department of Oriental Printed Books and Manuscripts in the British Museum. Apparently he wanted to produce a definitive edition, superior to anything else that existed and perhaps something that would become a standard translation. It was the best translation available for 50 years. But apparently there was not much interest in Sun Tzŭ in English-speaking countries since it took the start of the Second World War to renew interest in his work. Several people published unsatisfactory English translations of Sun Tzŭ. In 1944, Dr. Giles’ translation was edited and published in the United States in a series of military science books. But it wasn’t until 1963 that a good English translation (by Samuel B. Griffith and still in print) was published that was an equal to Giles’ translation. While this translation is more lucid than Dr. Giles’ translation, it lacks his copious notes that make his so interesting.
Dr. Giles produced a work primarily intended for scholars of the Chinese civilization and language. It contains the Chinese text of Sun Tzŭ, the English translation, and voluminous notes along with numerous footnotes. Unfortunately, some of his notes and footnotes contain Chinese characters; some are completely Chinese. Thus, a conversion to a Latin alphabet etext was difficult. I did the conversion in complete ignorance of Chinese (except for what I learned while doing the conversion). Thus, I faced the difficult task of paraphrasing it while retaining as much of the important text as I could. Every paraphrase represents a loss; thus I did what I could to retain as much of the text as possible. Because the 1910 text contains a Chinese concordance, I was able to transliterate proper names, books, and the like at the risk of making the text more obscure. However, the text, on the whole, is quite satisfactory for the casual reader, a transformation made possible by conversion to an etext. However, I come away from this task with the feeling of loss because I know that someone with a background in Chinese can do a better job than I did; any such attempt would be welcomed.
Bob Sutton
Preface by Lionel Giles
The seventh volume of Mémoires concernant l’histoire, les sciences, les arts, les mœurs, les usages, &c., des Chinois is devoted to the Art of War, and contains, amongst other treatises, “Les Treize Articles de Sun-tse,” translated from the Chinese by a Jesuit Father, Joseph Amiot. Père Amiot appears to have enjoyed no small reputation as a sinologue in his day, and the field of his labours was certainly extensive. But his so-called translation of the Sun Tzŭ, if placed side by side with the original, is seen at once to be little better than an imposture. It contains a great deal that Sun Tzŭ did not write, and very little indeed of what he did. Here is a fair specimen, taken from the opening sentences of chapter 5:—
De l’habileté dans le gouvernement des Troupes. Sun-tse dit : Ayez les noms de tous les Officiers tant généraux que subalternes; inscrivez-les dans un catalogue à part, avec la note des talents & de la capacité de chacun d’eux, afin de pouvoir les employer avec avantage lorsque l’occasion en sera venue. Faites en sorte que tous ceux que vous devez commander soient persuadés que votre principale attention est de les préserver de tout dommage. Les troupes que vous ferez avancer contre l’ennemi doivent être comme des pierres que vous lanceriez contre des œufs. De vous à l’ennemi il ne doit y avoir d’autre différence que celle du fort au faible, du vide au plein. Attaquez à découvert, mais soyez vainqueur en secret. Voilà en peu de mots en quoi consiste l’habileté & toute la perfection même du gouvernement des troupes.
Throughout the nineteenth century, which saw a wonderful development in the study of Chinese literature, no translator ventured to tackle Sun Tzŭ, although his work was known to be highly valued in China as by far the oldest and best compendium of military science. It was not until the year 1905 that the first English translation, by Capt. E.F. Calthrop. R.F.A., appeared at Tokyo under the title “Sonshi”(the Japanese form of Sun Tzŭ). Unfortunately, it was evident that the translator’s knowledge of Chinese was far too scanty to fit him to grapple with the manifold difficulties of Sun Tzŭ. He himself plainly acknowledges that without the aid of two Japanese gentlemen “the accompanying translation would have been impossible.” We can only wonder, then, that with their help it should have been so excessively bad. It is not merely a question of downright blunders, from which none can hope to be wholly exempt. Omissions were frequent; hard passages were wilfully distorted or slurred over. Such offences are less pardonable. They would not be tolerated in any edition of a Greek or Latin classic, and a similar standard of honesty ought to be insisted upon in translations from Chinese.
From blemishes of this nature, at least, I believe that the present translation is free. It was not undertaken out of any inflated estimate of my own powers; but I could not help feeling that Sun Tzŭ deserved a better fate than had befallen him, and I knew that, at any rate, I could hardly fail to improve on the work of my predecessors. Towards the end of 1908, a new and revised edition of Capt. Calthrop’s translation was published in London, this time, however, without any allusion to his Japanese collaborators. My first three chapters were then already in the printer’s hands, so that the criticisms of Capt. Calthrop therein contained must be understood as referring to his earlier edition. This is on the whole an improvement on the other, thought there still remains much that cannot pass muster. Some of the grosser blunders have been rectified and lacunae filled up, but on the other hand a certain number of new mistakes appear. The very first sentence of the introduction is startlingly inaccurate; and later on, while mention is made of “an army of Japanese commentators” on Sun Tzŭ (who are these, by the way?), not a word is vouchsafed about the Chinese commentators, who nevertheless, I venture to assert, form a much more numerous and infinitely more important “army.”
A few special features of the present volume may now be noticed. In the first place, the text has been cut up into numbered paragraphs, both in order to facilitate cross-reference and for the convenience of students generally. The division follows broadly that of Sun Hsing-yen’s edition; but I have sometimes found it desirable to join two or more of his paragraphs into one. In quoting from other works, Chinese writers seldom give more than the bare title by way of reference, and the task of research is apt to be seriously hampered in consequence. With a view to obviating this difficulty so far as Sun Tzŭ is concerned, I have also appended a complete concordance of Chinese characters, following in this the admirable example of Legge, though an alphabetical arrangement has been preferred to the distribution under radicals which he adopted. Another feature borrowed from “The Chinese Classics” is the printing of text, translation and notes on the same page; the notes, however, are inserted, according to the Chinese method, immediately after the passages to which they refer. From the mass of native commentary my aim has been to extract the cream only, adding the Chinese text here and there when it seemed to present points of literary interest. Though constituting in itself an important branch of Chinese literature, very little commentary of this kind has hitherto been made directly accessible by translation.
I may say in conclusion that, owing to the printing off of my sheets as they were completed, the work has not had the benefit of a final revision. On a review of the whole, without modifying the substance of my criticisms, I might have been inclined in a few instances to temper their asperity. Having chosen to wield a bludgeon, however, I shall not cry out if in return I am visited with more than a rap over the knuckles. Indeed, I have been at some pains to put a sword into the hands of future opponents by scrupulously giving either text or reference for every passage translated. A scathing review, even from the pen of the Shanghai critic who despises “mere translations,” would not, I must confess, be altogether unwelcome. For, after all, the worst fate I shall have to dread is that which befell the ingenious paradoxes of George in The Vicar of Wakefield.
INTRODUCTION
Sun Wu and his Book
Ssu-ma Ch’ien gives the following biography of Sun Tzŭ: [1]
Sun Tzŭ Wu was a native of the Ch’i State. His Art of War brought him to the notice of Ho Lu, [2] King of Wu. Ho Lu said to him:
“I have carefully perused your 13 chapters. May I submit your theory of managing soldiers to a slight test?”
Sun Tzŭ replied: “You may.”
Ho Lu asked: “May the test be applied to women?”
The answer was again in the affirmative, so arrangements were made to bring 180 ladies out of the Palace. Sun Tzŭ divided them into two companies, and placed one of the King’s favourite concubines at the head of each. He then bade them all take spears in their hands, and addressed them thus: “I presume you know the difference between front and back, right hand and left hand?”
The girls replied: Yes.
Sun Tzŭ went on: “When I say “Eyes front,” you must look straight ahead. When I say “Left turn,” you must face towards your left hand. When I say “Right turn,” you must face towards your right hand. When I say “About turn,” you must face right round towards your back.”
Again the girls assented. The words of command having been thus explained, he set up the halberds and battle-axes in order to begin the drill. Then, to the sound of drums, he gave the order “Right turn.” But the girls only burst out laughing. Sun Tzŭ said: “If words of command are not clear and distinct, if orders are not thoroughly understood, then the general is to blame.”
So he started drilling them again, and this time gave the order “Left turn,” whereupon the girls once more burst into fits of laughter. Sun Tzŭ: “If words of command are not clear and distinct, if orders are not thoroughly understood, the general is to blame. But if his orders are clear, and the soldiers nevertheless disobey, then it is the fault of their officers.”
So saying, he ordered the leaders of the two companies to be beheaded. Now the king of Wu was watching the scene from the top of a raised pavilion; and when he saw that his favourite concubines were about to be executed, he was greatly alarmed and hurriedly sent down the following message: “We are now quite satisfied as to our general’s ability to handle troops. If we are bereft of these two concubines, our meat and drink will lose their savor. It is our wish that they shall not be beheaded.”
Sun Tzŭ replied: “Having once received His Majesty’s commission to be the general of his forces, there are certain commands of His Majesty which, acting in that capacity, I am unable to accept.”
Accordingly, he had the two leaders beheaded, and straightway installed the pair next in order as leaders in their place. When this had been done, the drum was sounded for the drill once more; and the girls went through all the evolutions, turning to the right or to the left, marching ahead or wheeling back, kneeling or standing, with perfect accuracy and precision, not venturing to utter a sound. Then Sun Tzŭ sent a messenger to the King saying: “Your soldiers, Sire, are now properly drilled and disciplined, and ready for your majesty’s inspection. They can be put to any use that their sovereign may desire; bid them go through fire and water, and they will not disobey.”
But the King replied: “Let our general cease drilling and return to camp. As for us, We have no wish to come down and inspect the troops.”
Thereupon Sun Tzŭ said: “The King is only fond of words, and cannot translate them into deeds.”
After that, Ho Lu saw that Sun Tzŭ was one who knew how to handle an army, and finally appointed him general. In the west, he defeated the Ch’u State and forced his way into Ying, the capital; to the north he put fear into the States of Ch’i and Chin, and spread his fame abroad amongst the feudal princes. And Sun Tzŭ shared in the might of the King.
About Sun Tzŭ himself this is all that Ssu-ma Ch’ien has to tell us in this chapter. But he proceeds to give a biography of his descendant, Sun Pin, born about a hundred years after his famous ancestor’s death, and also the outstanding military genius of his time. The historian speaks of him too as Sun Tzŭ, and in his preface we read: “Sun Tzŭ had his feet cut off and yet continued to discuss the art of war.” [3] It seems likely, then, that “Pin” was a nickname bestowed on him after his mutilation, unless the story was invented in order to account for the name. The crowning incident of his career, the crushing defeat of his treacherous rival P’ang Chuan, will be found briefly related in Chapter V. § 19, note.
To return to the elder Sun Tzŭ. He is mentioned in two other passages of the Shih Chi:—
In the third year of his reign [512 B.C.] Ho Lu, king of Wu, took the field with Tzŭ-hsu [i.e. Wu Yuan] and Po P’ei, and attacked Ch’u. He captured the town of Shu and slew the two prince’s sons who had formerly been generals of Wu. He was then meditating a descent on Ying [the capital]; but the general Sun Wu said: “The army is exhausted. It is not yet possible. We must wait”…. [After further successful fighting,] “in the ninth year [506 B.C.], King Ho Lu addressed Wu Tzŭ-hsu and Sun Wu, saying: “Formerly, you declared that it was not yet possible for us to enter Ying. Is the time ripe now?” The two men replied: “Ch’u’s general Tzŭ-ch’ang, [4] is grasping and covetous, and the princes of T’ang and Ts’ai both have a grudge against him. If Your Majesty has resolved to make a grand attack, you must win over T’ang and Ts’ai, and then you may succeed.” Ho Lu followed this advice, [beat Ch’u in five pitched battles and marched into Ying.] [5]
This is the latest date at which anything is recorded of Sun Wu. He does not appear to have survived his patron, who died from the effects of a wound in 496. In another chapter there occurs this passage:[6]
From this time onward, a number of famous soldiers arose, one after the other: Kao-fan, [7] who was employed by the Chin State; Wang-tzu, [8] in the service of Ch’i; and Sun Wu, in the service of Wu. These men developed and threw light upon the principles of war.
