National Avenue · Chapter 9 (1/2)

IX

Not long ago there was found everywhere in the Midland country a kind of wood then most characteristic of it but now almost disappeared, a vanishment not inexpressive of nature’s way of striking chords; for the wood is no longer so like the Midlands as it was. But in the days when Ornaby Addition struggled in embryo, hickory still grew in profusion, and that tough and seasoned old sample of it, Mr. Shelby, withstood at his office desk the hottest summer in several years. He permitted himself the alleviation of a palm-leaf fan, and when his open carriage came for him at a little before six o’clock, every afternoon, he had the elderly negro coachman drive him out to the end of the cedar-block pavement of Amberson Boulevard before going home; but on the day that began the hottest hot spell of the summer he forebore to indulge himself with this excursion, albeit he forebore somewhat peevishly.

“We got to go straight home this evening, Jim,” he said, and added, “Plague take it!”

“Yes, suh,” the coachman assented. “She lay it down she want me ca’y you home quick as I kin git you. I tell ’er bettuh not be too quick or I’m goin’ have me two nice dead trottin’ hosses. Hoss die same as a man, day like this, an’ it ain’t cool off airy bit sense noon. Look to me like gittin’ hottuh, ’stid o’ simmerin’ down some, way ought to!” He widened one fat brown cheek in a slight distortion, producing a sound not vocal, but correctly interpreted by the horses as the call for an advance. Then, as they obediently set off at a trot, he chuckled; for although he complained of the heat he really liked it; and was not ill-equipped for it in shapeless linen, a straw hat, and slippers. “Tell me be’n five six whi’ men drop down dade right out in a middle the sidewalk today,” he said. “Way it keepin’ up, they be mo’ of ’em befo’ mawnin’. Look at them hosses bustin’ out an’ lathun theyse’f a’ready, an’ I ain’t trot ’em a full square yit!”

“You needn’t push ’em on my account,” Mr. Shelby said, “I’m not in any hurry.”

“No, suh,” the coloured man agreed, smiling over some private thought of his own. “I guess you ain’t! But she said, hot or no hot, git you home early’s I could fix it.” And then he laughed outright.

“Plague take it!” Mr. Shelby said again; for what amused the coachman made the master all the more peevish. Unquestionably, he was a deeply annoyed old gentleman, in spite of the fact that he was the coolest looking human being up and down the full length of National Avenue, into which thoroughfare the carriage had turned.

The long avenue might well have been mistaken for a colony of invalids and listless convalescents. Damp and languid citizens, their coats over bared forearms, made their painful way homeward from downtown, mopping fiery brows and throats; other coatless citizens, arrived at home, reclined melting in wicker rocking-chairs upon their verandas or lawns, likewise mopping as they melted; while beside them their wives and daughters, in flimsiest white, sat fanning plaintively. Here and there the stout father of a family stood near his front fence and played a weak and tepid stream from the garden hose over his lawn, or sprinkled the street, while his children, too hot to be importunate, begged lifelessly to relieve him of the task. The leaves of the massed foliage that made the street a green tunnel hung flaccidly gilding in the sun; and the sun abated not at all as it approached its setting. The air drooped upon the people with a weight too heavy to let them move readily, yet for breathing there seemed to be no air; and it had no motion, so that the transparent bits of paper, where the popcorn man or the hokey-pokey man had passed, lay in the street and on the sidewalks as still as so much lead.

“Seem like ev’thing wilted down flat,” Mr. Shelby’s fat coachman remarked as they turned into the driveway at home. “Me, I reckon if you’s to take little slim string o’ cobweb up on the roof an’ push ’er off, she’d fall ri’ down on the groun’ same as a flatiron. Look fountain, Mist’ Shelby!” He laughed happily, and waved his whip toward the bronze swan. “That duck, let alone he ain’t got stren’f ’nough to spout, he ain’t but jes’ hodly able to goggle his th’oat little bit.”

The swan was indeed put to it to eject a faint spray, for all over the town the people were making such demands on the water, already low with the dry season, that the depleted river whence it came threatened to disappear unless the drought were broken. However, neither drought nor heat had to do with Mr. Shelby’s peevishness, which visibly increased when the carriage turned into his driveway;⁠—what made him frown so bitterly was the sight of his daughter, charmingly dressed in fabrics of gossamer weight, her shapely hands gloved in spite of the weather, and her hazel eyes bright under a hat of ivory lace. She was sitting upon a wicker bench on the big veranda, but when the lathered bay horses trotted through the driveway gate, she jumped up and hurried to meet her father as he stepped out upon a stone horseblock near the veranda steps.

“Papa!” she cried, “you must hurry; we’re terribly late! I wouldn’t have waited for you, but I was afraid you wouldn’t go unless I took you.”

“I wouldn’t,” he said grimly. “You bet your sweet life I wouldn’t!”

“Won’t you hurry?” she urged.

“What for? Ain’t I dressed up enough? All I’m goin’ to do is wash my hands.”

“Then do,” she cried, as he moved to go indoors. “Please hurry!”

“Never you mind,” he returned crossly. “I don’t usually take more’n half a jiffy to just wash my hands, thank you!” And as he disappeared he was heard to mutter, not without vehemence: “Plague take it!”

A few moments later he reappeared, not visibly altered except that his irritated expression had become one of revolt. “Look a-here!” he said. “I don’t see as I’m called upon to promenade over there and join in with all this high jinks and goin’s-on!”

“Papa⁠—”

“I don’t mind an old-fashioned party,” he went on. “I used to go to plenty of ’em in my time, but when all they got for you to do is listen to half the women in town tryin’ to out-holler each other, why, you bet your bottom dollar I’m through!”

“But, papa⁠—”

“No, sir-ree!” he protested loudly. “You can well as not go on over there without me. Why, just look at the crowd they got in there already.”

He waved his hand to the neighbouring domain on the south, where the crowd he bitterly mentioned was not in sight, but was indicated by external manifestations. Open family carriages, surreys, runabouts, phaetons, and station wagons filled the Oliphants’ driveway, and, for a hundred yards or more, were drawn up to the curb on each side of the avenue. Coloured drivers sat at leisure, gossiping from one vehicle to another, or shouting over jokes about the hot weather. The horses drooped, or, with heads tossing at intervals, protested against their checkreins⁠—and one of them, detained in position by a strap fastened to a portable iron weight, alternately backed and advanced with such persistence that he now and then produced enough commotion to bring profane bellows of reproof from the drivers, after which he would subside momentarily, then misbehave again.

One of the coachmen decided to settle the matter, and, sliding to the ground from the hot leather front cushion of a “two-horse surrey,” went to chide the nervous animal. “Look a-me, hoss!” the man shouted fiercely. “You gone spoil ev’ybody’s pleasure. Whyn’t you behave youse’f an’ listen to music?” He pointed eloquently to the Oliphants’ open windows, whence came the sound of violins, a harp and a flute. “You git a chance listen nice music when you stan’ all day in you’ stall, hoss? An’ look at all them dressed-up white folks goin’ junketin’. What they goin’ think about you, you keep on ackin’ a fool?” Here, to clarify his meaning to the disturber, he gestured toward some young people⁠—girls in pretty summer flimsies and young men in white flannels⁠—who were going in through the iron gateway. “You think anybody goin’ respect you, cuttin’ up that fool way? You look out, hoss, you look out! You back into my surrey ag’in I’m goin’ take an’ smack you so’s you won’t fergit it long’s you live!”

Mr. Shelby, becoming more obdurate on his veranda, found this altercation helpful to his argument. “Why, just listen! That crowd’s makin’ so much noise I’d lose my hearin’ if I went in there. I won’t do it!”

“But, papa,” his daughter pleaded, “it isn’t the people in the house who are making the noise; it’s that darkey yelling at a horse. You’ve got to come.”

“Why have I?”

“Because you’re their next-door neighbour. Because it’s a time when all their friends should go.”

“Why is it?” he asked stubbornly. “What they want to make all this fuss over her for, anyway? I guess, from what I hear, her folks didn’t make any fuss over them in New York. Just barely let ’em come to the weddin’ and never even asked ’em to a single meal! I should think the Oliphant family’d have too much pride to go and get up a big doin’s like this over a girl when her family treated them like that!”

“Please come,” Martha begged. “All that matters to Dan’s father and mother is that he is married and they want their old friends to meet the bride and say a word of welcome to her.”

“Well, I don’t want to say any welcome to her. Dan Oliphant hadn’t got any more business to get married right now than a muskrat; he’s as poor as one! I don’t want to go over there and take on like I approve of any such a foolishness.”

“You’re only making excuses,” Martha said, frowning, and she took his arm firmly, propelling him toward the veranda steps. “You know how they’d all feel if their oldest neighbour didn’t go. You are going, papa.”

“I won’t!” he protested fiercely; then unexpectedly giving way to what at least appeared to be superior physical force, he descended the steps. “Plague take it!” he said, and walked on beside his daughter without further resistance.

At the Oliphants’ open front doors they seemed to step into the breath of a furnace stoked with flowers. Moreover, this hot and fragrant breath was laden with clamour, the conglomerate voices of two hundred people exhausting themselves to be heard in spite of one another and in spite of the music.

“Gee-mun-nently!” Mr. Shelby groaned, as this turmoil buffeted his ears. “Why, this is worse’n a chicken farm when they’re killin’ for market! I’m goin’ straight home!” And he made a serious attempt to depart through the portal they had just entered, but Martha had taken his arm too firmly for him to succeed without creating scandal.

A head taller than her father, she was both powerful and determined; and his resistance could be but momentary. She said “Papa!” indignantly under her breath; he succumbed, indistinctly muttering obsolete profanity; and they went into a drawing-room that was the very pit of the clamour and the flowery heat, in spite of generous floor space and high ceilings. The big room was so crowded with hot, well-dressed people that Martha had difficulty in passing between the vociferous groups, especially as many sought to detain her with greetings, and women clutched her, demanding in confidential shouts: “What do you think of her?”

But she pressed on, keeping a sure hold upon her outraged father, until they reached the other end of the room; for there, in a trellised floral bower, with all the flowers wilted in the heat, Dan Oliphant stood with his bride and his father and mother.

The reception party appeared to be little less wilted than the flowers; Mr. Oliphant and Dan, in their thick frock coats, suffering more than the two ladies; but all four smiled with a brave fixity, as they had been smiling for more than an hour; and the three Oliphants were still able to speak with a cordiality that even this ordeal had been unable to exhaust.

The bride might have been taken for a somewhat bewildered automaton, greatly needing a rewinding of its mechanism. In white satin, with pearls in her black hair, she was waxy pale under the rouge it was her habit to use, and she only murmured indistinguishably as Mr. Oliphant presented his guests to her. The faint smile she wore upon her lips she did indeed appear to wear, and to have worn so long that it was almost worn-out;⁠—no one could doubt that she longed for the time when she could permit herself to get rid of it. As a matter of fact, she granted herself that privilege when Mr. Oliphant presented Miss Shelby to her; for the smile faded to an indiscernible tracing as Lena found the statuesque amplitude of Martha towering over her. The small bride looked almost apprehensive.

“I hope⁠—I do hope you’ll be able to like me,” Martha said, a little nervously. “I live next door, and I hope⁠—I do hope you’ll be able to.” Then, as Lena said nothing, Martha gave Mr. Shelby’s arm a tug, unseen, and brought him unwillingly to face the bride. “This is my father. He’s a new neighbour for you, too.”

The old gentleman made a slight, hostile duck with his head. “Pleased to meet ye, ma’am,” he said severely.

At that the bride seemed to be astonished. “What?” she said.

“I bid you good afternoon, ma’am,” he returned, ducked his head again, and passed on as rapidly as he could.

Martha whispered hurriedly to Dan: “She is beautiful!” and would have followed her father, but Dan detained her.

“Martha, will you help us to get her to like it here?” he said. “You see she’s such an utter stranger and everything’s bound to seem sort of different at first. I’ve been hoping you’d let her be your best friend, because you⁠—you’d⁠—”

“If she’ll let me, Dan,” Martha said, her voice faltering as she continued, “You know that I’d always⁠—I’d always want to⁠—” She stopped, glancing back at Lena, whose own glances seemed to be noting with some interest the heartiness with which Dan still grasped the hand of this next-door Juno. “I know she’s lovely!” Martha said; and she moved away to overtake her father, who had every intention of leaving the house at once, but found himself again balked by his daughter’s taking his arm.

“What you so upset over?” he asked crossly. “What’s the matter your face?”

“Nothing, papa. Why?”

“Looks as though you’re takin’ cold. It’s the heat, maybe. Let’s go.”

“Not yet, papa.”

“Look a-here!” he said, “I’m not goin’ to promenade out in that dining-room and ruin my stomach on lemonade and doodaddle refreshments. It’s suppertime right now, and I want to go home!”

“Hush!” she bade him. “It wouldn’t be polite to rush right out. Just stay a minute or two longer; then you can go.”

“But what’s the use? I don’t want to hang around here with all the fat women in town perspiring against my clo’es. I hate the whole possytucky of ’em!”

“Sh, papa!”

“I don’t care,” he went on with husky vehemence. “Nothin’ to do here except stare at the bride, and she’s so little it don’t take much time to see her; she’s just about half your size⁠—you made her seem like a wax doll beside you, and the way she looked at you, I guess she thought so, too. Anyway, she does look like a wax doll. Looks worse’n that, too!”

“No, no!”

“Yes, she does,” he insisted. “She’s got paint on her. Her face is all over paint.”

“It isn’t paint. It’s only rouge.”

“What’s the difference? It ain’t decent. She paints. She’s got red paint on her cheeks and black paint on her eye-winkers. Looks to me like Dan Oliphant’s gone and married a New York fast woman.”

“Hush!” Martha commanded him sharply. “People will hear you!”

“I can’t hardly hear myself!” he retorted. “Never got in such a gibblety-gabble in my born days. I tell you she paints! Her mother-in-law ought to take her out to a washstand and clean her up like a respectable woman. The Oliphant family ought to know what people’ll take her for, if they let her go around all painted up like that. If she was my daughter-in-law⁠—”