A Treatise of Human Nature · Book I · Part IV · Section VI (1/2)
Section VI
Of Personal Identity
There are some philosophers who imagine we are every moment intimately conscious of what we call our Self; that we feel its existence and its continuance in existence; and are certain, beyond the evidence of a demonstration, both of its perfect identity and simplicity. The strongest sensation, the most violent passion, say they, instead of distracting us from this view, only fix it the more intensely, and make us consider their influence on self either by their pain or pleasure. To attempt a farther proof of this were to weaken its evidence; since no proof can be derived from any fact, of which we are so intimately conscious; nor is there anything, of which we can be certain, if we doubt of this.
Unluckily all these positive assertions are contrary to that very experience, which is pleaded for them, nor have we any idea of self, after the manner it is here explained. For from what impression could this idea be derived? This question it is impossible to answer without a manifest contradiction and absurdity; and yet it is a question, which must necessarily be answered, if we would have the idea of self pass for clear and intelligible. It must be some one impression, that gives rise to every real idea. But self or person is not any one impression, but that to which our several impressions and ideas are supposed to have a reference. If any impression gives rise to the idea of self, that impression must continue invariably the same, through the whole course of our lives; since self is supposed to exist after that manner. But there is no impression constant and invariable. Pain and pleasure, grief and joy, passions and sensations succeed each other, and never all exist at the same time. It cannot, therefore, be from any of these impressions, or from any other, that the idea of self is derived; and consequently there is no such idea.
But farther, what must become of all our particular perceptions upon this hypothesis? All these are different, and distinguishable, and separable from each other, and may be separately considered, and may exist separately, and have no need of tiny thing to support their existence. After what manner, therefore, do they belong to self; and how are they connected with it? For my part, when I enter most intimately into what I call myself, I always stumble on some particular perception or other, of heat or cold, light or shade, love or hatred, pain or pleasure. I never can catch myself at any time without a perception, and never can observe anything but the perception. When my perceptions are removed for any time, as by sound sleep; so long am I insensible of myself, and may truly be said not to exist. And were all my perceptions removed by death, and could I neither think, nor feel, nor see, nor love, nor hate after the dissolution of my body, I should be entirely annihilated, nor do I conceive what is farther requisite to make me a perfect nonentity. If anyone, upon serious and unprejudiced reflection thinks he has a different notion of himself, I must confess I can reason no longer with him. All I can allow him is, that he may be in the right as well as I, and that we are essentially different in this particular. He may, perhaps, perceive something simple and continued, which he calls himself; though I am certain there is no such principle in me.
But setting aside some metaphysicians of this kind, I may venture to affirm of the rest of mankind, that they are nothing but a bundle or collection of different perceptions, which succeed each other with an inconceivable rapidity, and are in a perpetual flux and movement. Our eyes cannot turn in their sockets without varying our perceptions. Our thought is still more variable than our sight; and all our other senses and faculties contribute to this change; nor is there any single power of the soul, which remains unalterably the same, perhaps for one moment. The mind is a kind of theatre, where several perceptions successively make their appearance; pass, re-pass, glide away, and mingle in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different; whatever natural propensity we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions only, that constitute the mind; nor have we the most distant notion of the place, where these scenes are represented, or of the materials, of which it is composed.
What then gives us so great a propensity to ascribe an identity to these successive perceptions, and to suppose ourselves possessed of an invariable and uninterrupted existence through the whole course of our lives? In order to answer this question, we must distinguish betwixt personal identity, as it regards our thought or imagination, and as it regards our passions or the concern we take in ourselves. The first is our present subject; and to explain it perfectly we must take the matter pretty deep, and account for that identity, which we attribute to plants and animals; there being a great analogy betwixt it, and the identity of a self or person.
We have a distinct idea of an object, that remains invariable and uninterrupted through a supposed variation of time; and this idea we call that of identity or sameness. We have also a distinct idea of several different objects existing in succession, and connected together by a close relation; and this to an accurate view affords as perfect a notion of diversity, as if there was no manner of relation among the objects. But though these two ideas of identity, and a succession of related objects be in themselves perfectly distinct, and even contrary, yet it is certain, that in our common way of thinking they are generally confounded with each other. That action of the imagination, by which we consider the uninterrupted and invariable object, and that by which we reflect on the succession of related objects, are almost the same to the feeling, nor is there much more effort of thought required in the latter case than in the former. The relation facilitates the transition of the mind from one object to another, and renders its passage as smooth as if it contemplated one continued object. This resemblance is the cause of the confusion and mistake, and makes us substitute the notion of identity, instead of that of related objects. However at one instant we may consider the related succession as variable or interrupted, we are sure the next to ascribe to it a perfect identity, and regard it as enviable and uninterrupted. Our propensity to this mistake is so great from the resemblance above-mentioned, that we fall into it before we are aware; and though we incessantly correct ourselves by reflection, and return to a more accurate method of thinking, yet we cannot long sustain our philosophy, or take off this bias from the imagination. Our last resource is to yield to it, and boldly assert that these different related objects are in effect the same, however interrupted and variable. In order to justify to ourselves this absurdity, we often feign some new and unintelligible principle, that connects the objects together, and prevents their interruption or variation. Thus we feign the continued existence of the perceptions of our senses, to remove the interruption: and run into the notion of a soul, and self, and substance, to disguise the variation. But we may farther observe, that where we do not give rise to such a fiction, our propensity to confound identity with relation is so great, that we are apt to imagine something unknown and mysterious, connecting the parts, beside their relation;50 and this I take to be the case with regard to the identity we ascribe to plants and vegetables. And even when this does not take place, we still feel a propensity to confound these ideas, though we are not able fully to satisfy ourselves in that particular, nor find anything invariable and uninterrupted to justify our notion of identity.
Thus the controversy concerning identity is not merely a dispute of words. For when we attribute identity, in an improper sense, to variable or interrupted objects, our mistake is not confined to the expression, but is commonly attended with a fiction, either of something invariable and uninterrupted, or of something mysterious and inexplicable, or at least with a propensity to such fictions. What will suffice to prove this hypothesis to the satisfaction of every fair enquirer, is to show from daily experience and observation, that the objects, which are variable or interrupted, and yet are supposed to continue the same, are such only as consist of a succession of parts, connected together by resemblance, contiguity, or causation. For as such a succession answers evidently to our notion of diversity, it can only be by mistake we ascribe to it an identity; and as the relation of parts, which leads us into this mistake, is really nothing but a quality, which produces an association of ideas, and an easy transition of the imagination from one to another, it can only be from the resemblance, which this act of the mind bears to that, by which we contemplate one continued object, that the error arises. Our chief business, then, must be to prove, that all objects, to which we ascribe identity, without observing their invariableness and uninterruptedness, are such as consist of a succession of related objects.
In order to this, suppose any mass of matter, of which the parts are contiguous and connected, to be placed before us; it is plain we must attribute a perfect identity to this mass, provided all the parts continue uninterruptedly and invariably the same, whatever motion or change of place we may observe either in the whole or in any of the parts. But supposing some very small or inconsiderable part to be added to the mass, or subtracted from it; though this absolutely destroys the identity of the whole, strictly speaking; yet as we seldom think so accurately, we scruple not to pronounce a mass of matter the same, where we find so trivial an alteration. The passage of the thought from the object before the change to the object after it, is so smooth and easy, that we scarce perceive the transition, and are apt to imagine, that it is nothing but a continued survey of the same object.
There is a very remarkable circumstance, that attends this experiment; which is, that though the change of any considerable part in a mass of matter destroys the identity of the whole, let we must measure the greatness of the part, not absolutely, but by its proportion to the whole. The addition or diminution of a mountain would not be sufficient to produce a diversity in a planet: though the change of a very few inches would be able to destroy the identity of some bodies. It will be impossible to account for this, but by reflecting that objects operate upon the mind, and break or interrupt the continuity of its actions not according to their real greatness, but according to their proportion to each other: And therefore, since this interruption makes an object cease to appear the same, it must be the uninterrupted progress of the thought, which constitutes the imperfect identity.
This may be confirmed by another phenomenon. A change in any considerable part of a body destroys its identity; but it is remarkable, that where the change is produced gradually and insensibly we are less apt to ascribe to it the same effect. The reason can plainly be no other, than that the mind, in following the successive changes of the body, feels an easy passage from the surveying its condition in one moment to the viewing of it in another, and at no particular time perceives any interruption in its actions. From which continued perception, it ascribes a continued existence and identity to the object.
But whatever precaution we may use in introducing the changes gradually, and making them proportionate to the whole, it is certain, that where the changes are at last observed to become considerable, we make a scruple of ascribing identity to such different objects. There is, however, another artifice, by which we may induce the imagination to advance a step farther; and that is, by producing a reference of the parts to each other, and a combination to some common end or purpose. A ship, of which a considerable part has been changed by frequent reparations, is still considered as the same; nor does the difference of the materials hinder us from ascribing an identity to it. The common end, in which the parts conspire, is the same under all their variations, and affords an easy transition of the imagination from one situation of the body to another.
But this is still more remarkable, when we add a sympathy of parts to their common end, and suppose that they bear to each other, the reciprocal relation of cause and effect in all their actions and operations. This is the case with all animals and vegetables; where not only the several parts have a reference to some general purpose, but also a mutual dependence on, and connection with each other. The effect of so strong a relation is, that though everyone must allow, that in a very few years both vegetables and animals endure a total change, yet we still attribute identity to them, while their form, size, and substance are entirely altered. An oak, that grows from a small plant to a large tree, is still the same oak; though there be not one particle of matter, or figure of its parts the same. An infant becomes a man, and is sometimes fat, sometimes lean, without any change in his identity.
We may also consider the two following phenomena, which are remarkable in their kind. The first is, that though we commonly be able to distinguish pretty exactly betwixt numerical and specific identity, yet it sometimes happens, that we confound them, and in our thinking and reasoning employ the one for the other. Thus a man, who bears a noise, that is frequently interrupted and renewed, says, it is still the same noise; though it is evident the sounds have only a specific identity or resemblance, and there is nothing numerically the same, but the cause, which produced them. In like manner it may be said without breach of the propriety of language, that such a church, which was formerly of brick, fell to ruin, and that the parish rebuilt the same church of freestone, and according to modern architecture. Here neither the form nor materials are the same, nor is there anything common to the two objects, but their relation to the inhabitants of the parish; and yet this alone is sufficient to make us denominate them the same. But we must observe, that in these cases the first object is in a manner annihilated before the second comes into existence; by which means, we are never presented in any one point of time with the idea of difference and multiplicity: and for that reason are less scrupulous in calling them the same.
