Honeycomb · Chapter 4 (1/3)

IV

During her second week of giving the children their morning’s lessons Miriam saw finally that it was impossible and would always be impossible to make their two hours of application anything but an irrelevant interval in their lives. They came into the schoolroom with languid reluctance, dreamily indolent from breakfast in bed, fragrant from warm baths. They made no resistance. She sat with the appointed tasks clearly in mind, holding on to the certainty that they were to be done as the only means of getting through the morning. The excitement of taking up everything afresh with her was over and beyond occasional moments of brightness when she tried to impress a fact or lift them over a difficulty with a jest and they would exchange their glance of secret delight, their curious conspirators’ glance of some great certainty shared, they went through their tasks with well-bred preoccupation, sighing deeply now and again and sometimes groaning, with clenched hands pressed between their knees. Their accustomed life of events was close round them, in the garden just beyond the undraped window, on the mat outside the schoolroom door, where at any moment a footstep crossing the landing might fall softly and pause, when their heads would go up in tense listening. “Rollo!” they would say, waiting for the turning of the handle, holding themselves in for the subdued shoutings they would utter when Mrs. Corrie appeared standing in the doorway with a finger on her lips. “Happy?” she would breathe; “working like nigger boys?” Unless Miriam looked gravely detached she would glide in blushing, and passionately caress them. When this happened, sighs and groanings filled the time that remained. Their nearest approach to open rebellion included a tacit appeal to her as a fellow-sufferer to throw up the stupid game. It was quite clear that they did not blame her for their sufferings and they were so much prepared to do the decent thing that her experiment of reading to them regularly at some convenient half-hour each day from a book of adventures or fairy tale, not only reconciled them to endure the morning’s ordeal, but filled them with a gratitude that astonished her and the beginnings of a personal regard for her that shook her heart. During the readings they would lose their air of well-bred detachment and would come near. They would be relaxed and silent; the girl with bent head and brooding defiant curiously smiling and frowning face, the boy gazing at the reader, rapturous. She would sometimes feel against each arm the pressure of a head.

She had felt instinctively and at once that she could not use their lesson hours as opportunities for talking at large on general ideas as she had done with the children in the Banbury Park school. Those children, the children of tradesmen most of them, could be allowed to take up the beginnings of ideas; “ideals,” the sense of modern reforms, they could be allowed to discuss anything from any point of view and take up attitudes and have opinions. The opportunity for discussion and for encouraging a definite attitude towards life was much greater in this quiet room with only the two children; but it would have been mean, Miriam felt, to take advantage of this opportunity; to be anything but strictly neutral and wary of generalisations. It would have been so easy. Probably a really “conscientious” woman would have done it, have “influenced” them, given the girl a bias in the direction of some life of devotion, hospital nursing or slum missionary work, and have filled the boy with ideas as to the essential superiority of “Radicals.” Their minds were so soft and untouched.⁠ ⁠… It ended in a conspiracy, they all sat masquerading, and finished their morning exhausted and relieved. The children knew the lessons tortured her and made her ill at ease, and they were puzzled without disapproving. Through it all she felt their gratitude to her for not being “simple,” like Bunnikin.

There was to be another weekend. Again there would be the sense of being a visitor amongst other visitors; visitor was not the word; there was a French word which described the thing, “convive,” “les convives”⁠ ⁠… people sitting easily about a table with flushed faces⁠ ⁠… someone standing drunkenly up with eyes blazing with friendliness and a raised wineglass⁠ ⁠… women and wine, the roses of Heliogabalus; but he was a Greek and dreadful in some way, convives were Latin, Roman; fountains, water flowing over marble, white-robed strong-faced people reclining on marble couches, feasting⁠ ⁠… taking each fair mask for what it shows itself; that was what this kind of wealthy English people did, perhaps what all wealthy people did⁠ ⁠… the maimed, the halt, the blind, compel them to come in⁠ ⁠… but that was after the others had refused. The thing that made you feel jolliest and strongest was to forget the maimed, to be a fair mask, to keep everything else out and be a little circle of people knowing that everything was kept out. Suppose a skeleton walked in? Offer it a glass of wine. People have no right to be skeletons, or if they are to make a fuss about it. These people would be all the brighter if they happened to have neuralgia; some strong pain or emotion made you able to do things. Taking each fair mask was a fine grown-up game. Perhaps it could be kept up to the end? Perhaps that was the meaning of the man playing cards on his deathbed. Defying God. That was what Satan did. He was brave; defying a tyrant⁠ ⁠… “nothing to do but curse God and die.” Who said that? there was something silly about it; giving in, not real defiance. It didn’t settle anything; if the new ideas were true; the thing went on. The love of God was like the love of a mother; always forgiving you, ready to die for you, always waiting for you to be good. Why? It was mean. The things one wanted one could not have if one were just tame and good.⁠ ⁠… It is morbid to think about being good; better the fair mask⁠—anything. But it did not make people happy. These people were not happy. They were not real.

Spring; everywhere, inside and outside the house. The spring outside had a meaning here. It came in through the windows without obstruction and passed into everything. At home it had sent one nearly mad with joy and anticipation and passed and left you looking for it for the rest of the year; in Germany it had brought music and wild joy⁠—the secret had passed from eye to eye; all the girls had known it. At Wordsworth House it had stood far away, like a picture in a dream, something that could be seen from windows, and found for a moment in the park, but powerless to get into the house. Here it came in; you could not forget it for a moment; and it was a background for something more wonderful than itself; something that made it wonderful; something there were no words for; voices, movements from room to room, strange food, the soft chink of Venetian glass, amber wine, the light drowned in wine, through the window a sharp gleam on things that reflected, day and night, into everything, even into one’s thoughts. Why was the spring suddenly so real? Why was it that you could stand as it were in a shaft of it all the time, feeling in your breathing, hearing in your voice the sound of the spring, the blood in your fingertips seeming like the roses that they would touch soon in the garden?

How ignorant the man was who said, “each fair mask for what it shows itself.” Life is not a mask, it is fair; the gold in one’s hair is real.

Friday brought an atmosphere of expectation. Mr. Kronen, an old friend of the Corries, was coming down, with a new Mrs. Kronen.

By the early afternoon the house was full of fragrance; coming downstairs dressed for an errand in the little town two miles away, Miriam saw the hall all pink and saffron with azaleas. Coming across the hall she found a scent in the air that did not come from the azaleas, a sweet familiar syrupy distillation⁠ ⁠… the blaze of childhood’s garden was round her again, bright magic flowers in the sunlight, magic flowers, still there, nearer to her than ever in this happy house; she could almost hear the humming of the bees, and flung back the bead curtain with unseeing eyes half expecting some doorway to open on the remembered garden; the scent was overpowering⁠ ⁠… the drawing-room was cool and silent with closed windows and drawn blinds; bowls of roses stood in every available place; she tiptoed about in the room gathering their scent.

As she opened the hall door Mrs. Corrie’s voice startled her from the dining-room.

Going into the dining-room she found her with a flushed face and excited eyes and the children dancing round her. “Another tin! One more tin!” they exclaimed, plucking at Miriam. From the billiard-room came the smell of fresh varnish. Wiggerson was on her knees near the door.

“She’s done some stupid thing,” thought Miriam, looking at Mrs. Corrie’s excited, unconscious face with sudden anxiety; “some womanish overdoing it, wanting to do too much and spoiling everything.” She felt as if she were representing Mr. Corrie.

“Will it be dry in time?” she asked, half angrily, scarcely knowing what she said and in the midst of Mrs. Corrie’s apologetic petition that she would bring a tin of oak stain back with her.

“Lordy, don’t you think so?” whispered Mrs. Corrie, only half dismayed.

Miriam had not patience to follow her as she went to survey the floor ruefully chanting, “Oh, Wiggerson, Wiggerson.”

“Anyhow I’m sure it oughtn’t to have any more on as late as when I come back,” she scolded boldly. How annoyed Mr. Corrie would be.⁠ ⁠…

As she was going down the quiet road past the high oak garden palings of the nearest house she heard the bumping and scrabbling of a heavy body against the palings and a dog leapt into the road almost at her feet, making the dust fly. It was an Irish terrier. It smiled and barked a little, waiting, looking up into her face and up and down the road. “It thought it knew me,” she pondered; “it mistook me for someone else.” She patted its head and went forward thinking of the joyful scrabbling, its headlong determination. The dog jerked back its head with a wide smile, tore down the road and came back leaping and smiling. Something disappeared from the vista of the roadway as the dog rushed along it nosing after scents, looking round now and again, and now and again rushing back to greet her. It brought back the sense of the house and the strange gay life she had just left to go on her errand to the little unknown town. It wore a smart collar; it belonged to that life. People in it were never alone; when they went out there was always a dog with them. “It thinks I’m one of them.” But it liked the wild; when they came out on to the common it rushed up a sandy pathway and disappeared amongst the gorse bushes. For a while Miriam hoped it would come back and kept looking about for it; then she gave it up and went ahead with the commons drifting slowly by on either side; she wished that the action of walking were not so jerky, that the expanses on either side might pass more smoothly and easily by: “that’s why people drive,” she thought; “you can only really see the country when you are not moving yourself.” Standing still for a moment she looked across the open stretch to her left and smiled at it and went on again, walking more quickly; the soft beauty that had retreated to the horizon when the dog was with her was spreading back again across the whole expanse and coming towards her; she hurried on singing softly at random, “Scorn such a foe⁠ ⁠… though I could fell thee at a blow, though I‑i, cou‑uld fe‑ell thee‑ee a‑at a‑a blow”⁠ ⁠… people walking and thinking and fussing, people driving somewhere in victorias were always coming along the road, to them it was a sort of suburb, quite ordinary, the bit near home. But it was big enough to be full of waves and waves of something real, something cool and true and unchanging. Had anybody seen it, did the people who lived there know it? Did anybody know this strange thing? She almost ran; my “commons,” she said. “I know how beautiful you are; if only I knew whether you know that I know. I know, I know,” she said, “I shan’t forget you.” “True, true till death; bear it, oh wind, on thy lightning breath.”

The sun was very warm; before she reached the end of the long road the sandy pathways were beginning to glare. There was the river and the little bridge and the first shop just beyond it, where her purchase was to be made. Its woodwork was very bright white; it had a seaside look. She stood still on the slight ascent of the bridge mopping her face and preparing to represent Mrs. Corrie in the shop. Scrambling up the shallow bank from the common came the yellow dog. “Oh, hooray⁠—you duck,” she breathed, patting the warm stubbly head and listening to his breathless snortings. A piano-organ broke into loud music in the little street. It was not a mysterious little town, there was nothing of the village about it. The white framed windows held things you would see in a Regent Street confectioner’s; it was a special shop for the kind of people who lived here. Miriam felt for her three and six and asked for her pound of coffee creams with a bored air, wishing she knew the dog’s name so that she could claim him familiarly. She contented herself with telling him to lie down in an angry whisper repeatedly, as the creams were being weighed. He stood panting and gazing at her wagging his stump. “ ’Ullo, Bushy,” said the shopwoman languidly; the dog faced round panting more loudly. “There you are, Bush,” she said, as the scales balanced, and flung the dog a chocolate wafer which he caught with a snap. Miriam gazed vaguely at the unfamiliar spectacle, angrily feeling that the shopwoman was observing her. “You’re not going to take him through the town?” said the shopwoman severely.

“Oh, no,” said Miriam nervously.

“He’s the worst fighter in the parish; they never bring him into the town unless it’s the groom sometimes.”

“Thank you,” said Miriam, taking her bag of coffee creams. “Dogs are a nuisance, aren’t they?” she added, in an emphatically sympathetic tone, getting away through the swing door almost hating the yellow body that squeezed through at her side and stood eagerly facing towards the marketplace waiting for her movements.