Short Fiction · Friends and Enemies (2/3)

“A bubble bursts because its skin gets thinner and thinner,” Ellenby said. “When it gets thin enough it shows colors, as interference eliminates different wavelengths. With yellow eliminated it shows violet, and so on. But finally, just for a moment at the place where it’s going to break, the skin becomes only one molecule thick. Such a mono-molecular layer absorbs all light, hence shows as dead black.”

“Everything’s got a black lining, eh?”

“Black can be beautiful. Here, I’ll do it again.”

Madson put his hand on Ellenby’s shoulder to steady himself. They were standing hip-deep in water, their bodies still flecked with suds. Their heads were inches from the new bubble. As it burst a voice floated down to them.

“Is this the Ozona Faculty Kindergarten?”

They whirled around, simultaneously crouching in the water.

“Vera-Ellen, what are you doing here?” Madson demanded.

“Watching the kiddies play,” the girl on the bridge replied, running a hand through her touseled violet hair. She looked down at her slacks and jacket. “Wish I’d brought my swim suit, though I gather it wouldn’t be expected.”

“Vera-Ellen!” Madson said apprehensively.

“It doesn’t look very inviting down there, though,” she mused. “Guess I’ll wait for Aqua Heaven at New Angeles.”

“You’re going to New Angeles?” Ellenby put in. It is not easy to be conversationally brilliant while squatting chest deep in muddy water, acutely conscious of the absence of clothes.

Vera-Ellen nodded lazily, leaning on the railing. “Going to get me a city job. With its reduced faculty Ozona holds no more intellectual interest for me. Did you know math’s going to be made part of the Home Eck department, Mr. Ellenby?”

“But how did you know that we⁠—”

“Daughter of the man who got you run out of town ought to know what the old bully’s up to. And if you’re worrying that they’ll come after me and find us together, I’ll just head along by myself.”

Madson and Ellenby both protested, though it is even harder to protest effectively than to be conversationally brilliant while squatting naked in coffee-colored water.

Vera-Ellen said, “All right, so quit playing and let’s get on. You have to tell me all about New Angeles and the kind of jobs we’ll get.”

“But⁠—?”

“Modest, eh? I’m afraid Pa wouldn’t count it in your favor. But all right.” She turned her back and sauntered to the other side of the bridge.

Madson and Ellenby cautiously climbed out of the ditch, brushed the water from their skins, and wormed into their soggy clothes.

“We’ve got to persuade her to go back,” Madson whispered.

“Vera-Ellen?” Ellenby replied and raised his eyebrows.

Madson groaned softly.

“Cheer up,” Ellenby said. And he seemed in a cheerful humor himself when they climbed to the bridge. “Vera-Ellen,” he said, “we’ve been having an argument as to whether man ruined Nature or Nature ruined man to start with.”

“Is this a class, Mr. Ellenby?”

“Of sorts,” he told her. Behind him Madson snorted, flipping his Keats to dry the pages. They started off together.

“Well,” said Vera-Ellen, “I like Nature and I like⁠ ⁠… human beings. And I don’t feel ruined at all. Where’s the argument?”

“What about the bombs?” Madson demanded automatically. “By man our physicist here means Technology. Whereas I mean⁠—”

“Oh, the bombs,” she said with a shrug. “What sort of job do you think I should get in New Angeles?”

“Well⁠ ⁠…” Madson began.

“Say, I’m getting hungry,” she raced on, turning to Ellenby.

“So am I,” he agreed.

They looked at the road ahead. A jagged hill now hid all but the tips of the spires of New Angeles. On the top of the hill was a tremendous house with sagging roofs of cracked tiles, stucco walls dark with rain stains and green with moss yet also showing cracks, and windows of age-blued glass, some splintered, flashing in the sun, which tempted Ellenby to whip out his spectroscope.

Curving down from the house came a weedy and balding expanse that had obviously once been a well-tended lawn. A few stalwart patches of thick grass held out tenaciously.

Pale-trunked eucalyptus trees towered behind the house and to either side of the road where it curved over the hill.

In a hollow at the foot of the onetime lawn, just where it met the road, something gleamed. As Madson, Ellenby and Vera-Ellen tramped forward, they saw it was an old automobile, one of the jet antiques that were the rage around 1970⁠—in fact, a Lunar ’69. Coming closer Ellenby realized that it had custom-built features, such as jet brakes and collision springs.

A man with an odd cap was poking a probe into the air intake, while in the back seat a woman was sitting, shadowed by a hat four feet across. At the sound of their footsteps the man whirled to his feet, quickly enough though unsteadily. He stared at them, wagging the probe. Just at that moment something that looked like an animated orange furpiece leaped from the tonneau.

“George!” the woman cried. “Widgie’s got away.”

The small flattish creature came on in undulating bounds. It was past the man in the cap before he could turn. It headed for Ellenby, then changed direction. Madson made an impulsive dive for it, but it widened itself still more and sailed over him straight into Vera-Ellen’s arms.

They walked toward the car. Widgie wriggled, Vera-Ellen stroked his ears. He seemed to be a flying fox of some sort. The man eyed them hostilely, raising the probe. Madson stared puzzledly at the cap. Out of his older knowledge Ellenby whispered an explanation: “Chauffeur.”

The woman stood in the back seat, swaying slightly. She was wearing a white swim suit and dark teleglasses under her hat. At first she seemed a somewhat ravaged thirty. Then they began to see the rest of the wrinkles.

She received Widgie from Vera-Ellen, shook him out and tucked him under her arm, where he hung limply, moving his tiny red eyes.

“Come in with me, my dear,” she told Vera-Ellen. “George, put down that crazy pole. Pay no attention to George⁠—he can’t recognize gentlefolk when he sees them, especially when he’s drunk. Gentlemen,” she continued, waving graciously to Madson and Ellenby, “you have the thanks of Rickie Vickson.” As she pronounced the name she surveyed them sharply. Her gaze settled on Ellenby. “You know me, don’t you?”

“Certainly,” he answered instantly. “You were my first⁠—my favorite straight 3D star.”

“Are you in 3D?” Vera-Ellen asked, a sudden gleam in her eyes.

“Was, my dear,” Rickie said grandly. She ogled Ellenby through the fisheye glasses. “Ah, straight 3D,” she sighed. “Simple video-audio in depth⁠—there was a great art-form.” She began to sway again and they caught the reek of alcohol. “You know, gentlemen, it was handies that ruined my career. I had the looks and the voice, but I lacked the touch. Something in me shrank from the whole idea⁠—be still, Widgie⁠—and the girls with itchy fingers took over. But I’m talking too much about myself. It’s hot and you wonderful gentlemen must be thirsty. Here, have a⁠—”

The chauffeur glared at her as she reached fumblingly down into the tonneau. She caught the look and quailed slightly.

“⁠—sandwich,” she finished, coming up with a shiny can.

Madson accepted it from her, clicking the catch. The top popped four feet in the air, followed lazily by the uppermost sandwich which he caught deftly. He handed the can to Ellenby, who served himself and handed it up to Vera-Ellen. Soon all three of them were munching.

“Miss Vickson,” Vera-Ellen asked between mouthfuls, “do you think I could get a job in broadcast entertainment?”

Rickie looked at her sideways, leaning away to focus. “Not with that ghastly atomglow hair,” she said. “Violet is old hat this year⁠—it’s either black, blonde or bald. But give me your hand, my dear.”

“Going to tell my fortune?”

“After a fashion.” She held up Vera-Ellen’s hand, squeezing and prodding it thoughtfully, as if she were testing the carcass of an alleged spring chicken. Then she nodded. “You’ll do. Good strong hand, that’s all that’s needed, so you can really crunch the knuckles of the bohunks. They love it rough. Of course the technicians could step up the power when they broadcast your hand-squeeze, but the addicts don’t feel it’s the same thing.” She looked sourly at her own delicate claws. “Yes, my dear, you’ll have a chance in handies if you don’t mind cuddling with two million dirty-minded bohunks every night and if Rickie Vickson’s still got any entrée at the studios.” She made a face and dipped again into the tonneau, apparently to gulp something, for the chauffeur’s glare was intensified.

“You’re from New Angeles?” Madson asked politely when Rickie came up beaming.

“Old Angeles,” she corrected. “My home’s in a contaminated area. After 3D lighting I’ve never been afraid of hard radiations. But this time my psychic counselor told me⁠—Widgie, I’m going to put you away in a nice little urn⁠—that the bombs are going to miss New Angeles and fall on Old. That’s why George is jetting me to the mountains. Others drink to still their fears. I do something about it⁠—too.”

“You mean you’re going away from the studio?” Vera-Ellen demanded incredulously while Ellenby mumbled “Bombs?” through a mouthful of sandwich.

“Of course,” Rickie nodded. “Don’t you know? Russia’s touched a match to the Hot Truce. You charming gentlemen should keep up with these things.”

“You see, I told you!” Madson said to Ellenby. “One more victory for science!”

“Miss Vickson, we better be getting on,” the chauffeur interrupted, speaking for the first time. His voice was drunkenly thick. “We aren’t out of the fusion fringe by a long shot and I don’t like the looks of this place.”

Rickie ignored him. Ellenby asked, “Was the news about Russia telefaxed?”

“Of course not.” Rickie’s smile was scornful. “They never tell the real truth these days. But they said to get out of our houses, and what else could that mean?”

“Miss Vickson, we better⁠—” George began again.

“Quiet, George,” Rickie ordered.

George groaned faintly, shrugged his shoulders, and reached out an arm to her without looking. Rickie handed him a red, limp plastic bottle. Just as he was putting it to his lips, he jerked as if stung, vaulted into the car, and began to stamp and punch at the controls.

With a mighty pouf the jet took hold. Ellenby skittered away from the hot blast. The Lunar ’69 jumped forward.

Things hissed and snicked through the air. From nowhere, men began to appear. With a great lurch the car gained the road, roared toward the bridge. Vera-Ellen jumped up as if to get out, then was thrown back into the tonneau. Rickie lunged forward across the seat to save the red bottle. Her four-foot hat leaped upward, hesitated, and then spun off like a flying saucer.

A man rose from the wheat near the bridge. As the car jounced across it, he leveled a rapid-fire weapon. But just as he got it trained on the car, Rickie’s hat landed on him. He went over backwards, firing at the sky.

Madson and Ellenby looked around in bewilderment. There must have been a dozen men. As they stared, another bunch came hurrying down the ruined lawn from the house on the hill.

The man by the bridge got up, went over to Rickie’s hat and stamped on it.

Madson and Ellenby jumped as the sky-climbing missiles from his gun pattered down around them. When they looked around again, the men from the house on the hill were closing in.

Their leader was about five feet tall, but thick. His head had been formed in a bullet mold, his features looked drop-forged.

“I’m Harvey,” he told them blankly. “What you got?”

Harvey’s people wore everything from evening dress to shorts. There were even two women (who drifted toward Harvey) one in a gold kimono, the other in an off-the-bosom frock of filthy white lace. Everybody was armed.

“What you got?” Harvey repeated sharply. “I know you’re loaded, I saw you talking with that rich-witch in the jet.” He looked them over and grabbed at Madson’s side pocket. “Books, huh?” he said like a hangman, dangling the Keats by a stray page. Then he turned to Ellenby. “Come on, Skinny,” he said, “shell out.”

When Ellenby hesitated, two of Harvey’s men grabbed him, dumped him, and passed the contents of his pockets to their chief. When the spectroscope turned up, Harvey grinned. The eyes of his people twinkled in anticipation.

“Science gadget, huh?” he said. “Folks, there’s been too much science in the world and too many words. Any minute now, more bombs are gonna fall. I do my humble bit to help ’em. I’m a great little junkman.” He let the brass tube fall to the ground and lifted his foot. “Blow it a goodbye kiss, Skinny.”

“Wait,” Madson said abruptly, taking a step toward Harvey. “Don’t do it.” Then the poet’s eyes grew wide and alarmed, as if he hadn’t known he was going to say it.

Breaths sucked in around them. Harvey’s turret head slowly turned toward Madson, its expression seemingly vacuous. “Why not?” Harvey whispered.

“Don’t pay any attention to my friend,” Ellenby interjected rapidly. “He just said that on account of me. Actually he hates science as much as you do. Don’t⁠—”

“Shaddup!” Harvey roared. Then his voice instantly went low again. “Ain’t nobody hates science more’n me, but ain’t nobody tells me so. Shoulda kept your mouth shut, Skinny. Now there’s gonna be more’n gadgets stomped, more’n books tore.”

Silence came except for the faint sucks of breath, the faint scuffle of shoes on grit as Harvey’s people slowly moved in. Ellenby stood helplessly, yet at the same time he felt a widening and intensification of his sensory powers. He was aware of the delicately lace-edged tree shadows cast from the hill ahead by the westering sun. At the other limit of his vision the copter no longer trailed its green caterpillar; for some reason it was buzzing closer along the road. At the same time he was conscious with a feverish clarity of the page by which Harvey dangled the Keats, and without reading the words he saw the lines:

Beauty is truth, truth beauty⁠—that is all

Ye know on earth, and all ye need to know.

Suddenly the slowly advancing faces seemed to freeze and Ellenby was aware of something spectral and ominous about the yellowing sunlight and the whole acid-etched scene around him. It was something more than the physical threat to him and Madson⁠—it was something that seemed to well up menacingly from the ground under his feet.

There was a sudden faint thunder and even as something inside Ellenby said, “That isn’t it, that isn’t what the sky’s waiting for,” he saw the chrome muzzle of the Lunar ’69 bulleting toward them across the bridge with Vera-Ellen’s violet mop above the wheel.

But even as the braking blasts gouted out redly from under the hood and the car crunched toward a stop in their midst, even as Harvey’s people broke to either side and pistols popped with queerly toylike reports, the thunder multiplied until it was impossible that the Lunar ’69 was causing it, until it was like the thunder of a thousand invisible jets crushing the air around them. The sky shifted, rocked. The road shook. There came a shock that numbed Ellenby’s feet and sent everyone around him reeling, and a pounding, smashing sound that made any remembered noise seem puny.

The Lunar ’69, which had stopped a dozen feet from Ellenby, was pitching and tossing like a silver ship in a storm. Vera-Ellen was gripping the steering wheel with one hand and motioning to him frantically with the other. In the seat beyond her Rickie Vickson was jouncing as if in a merry-go-round chariot.