A Week on the Concord and Merrimack Rivers · Chapter 4 (7/7)

A man might well pray that he may not taboo or curse any portion of nature by being buried in it. For the most part, the best man’s spirit makes a fearful sprite to haunt his grave, and it is therefore much to the credit of Little John, the famous follower of Robin Hood, and reflecting favorably on his character, that his grave was “long celebrous for the yielding of excellent whetstones.” I confess that I have but little love for such collections as they have at the Catacombs, Père la Chaise, Mount Auburn, and even this Dunstable graveyard. At any rate, nothing but great antiquity can make graveyards interesting to me. I have no friends there. It may be that I am not competent to write the poetry of the grave. The farmer who has skimmed his farm might perchance leave his body to Nature to be ploughed in, and in some measure restore its fertility. We should not retard but forward her economies.

Soon the village of Nashua was out of sight, and the woods were gained again, and we rowed slowly on before sunset, looking for a solitary place in which to spend the night. A few evening clouds began to be reflected in the water and the surface was dimpled only here and there by a muskrat crossing the stream. We camped at length near Penichook Brook, on the confines of what is now Nashville, by a deep ravine, under the skirts of a pine wood, where the dead pine-leaves were our carpet, and their tawny boughs stretched overhead. But fire and smoke soon tamed the scene; the rocks consented to be our walls, and the pines our roof. A woodside was already the fittest locality for us.

The wilderness is near as well as dear to every man. Even the oldest villages are indebted to the border of wild wood which surrounds them, more than to the gardens of men. There is something indescribably inspiriting and beautiful in the aspect of the forest skirting and occasionally jutting into the midst of new towns, which, like the sand-heaps of fresh fox-burrows, have sprung up in their midst. The very uprightness of the pines and maples asserts the ancient rectitude and vigor of nature. Our lives need the relief of such a background, where the pine flourishes and the jay still screams.

We had found a safe harbor for our boat, and as the sun was setting carried up our furniture, and soon arranged our house upon the bank, and while the kettle steamed at the tent door, we chatted of distant friends and of the sights which we were to behold, and wondered which way the towns lay from us. Our cocoa was soon boiled, and supper set upon our chest, and we lengthened out this meal, like old voyageurs, with our talk. Meanwhile we spread the map on the ground, and read in the Gazetteer when the first settlers came here and got a township granted. Then, when supper was done and we had written the journal of our voyage, we wrapped our buffaloes about us and lay down with our heads pillowed on our arms listening awhile to the distant baying of a dog, or the murmurs of the river, or to the wind, which had not gone to rest:⁠—

The western wind came lumbering in,

Bearing a faint Pacific din,

Our evening mail, swift at the call

Of its Postmaster General;

Laden with news from Californ’,

Whate’er transpired hath since morn,

How wags the world by brier and brake

From hence to Athabasca Lake;⁠—

or half awake and half asleep, dreaming of a star which glimmered through our cotton roof. Perhaps at midnight one was awakened by a cricket shrilly singing on his shoulder, or by a hunting spider in his eye, and was lulled asleep again by some streamlet purling its way along at the bottom of a wooded and rocky ravine in our neighborhood. It was pleasant to lie with our heads so low in the grass, and hear what a tinkling ever-busy laboratory it was. A thousand little artisans beat on their anvils all night long.

Far in the night as we were falling asleep on the bank of the Merrimack, we heard some tyro beating a drum incessantly, in preparation for a country muster, as we learned, and we thought of the line⁠—

When the drum beat at dead of night.

We could have assured him that his beat would be answered, and the forces be mustered. Fear not, thou drummer of the night, we too will be there. And still he drummed on in the silence and the dark. This stray sound from a far-off sphere came to our ears from time to time, far, sweet, and significant, and we listened with such an unprejudiced sense as if for the first time we heard at all. No doubt he was an insignificant drummer enough, but his music afforded us a prime and leisure hour, and we felt that we were in season wholly. These simple sounds related us to the stars. Ay, there was a logic in them so convincing that the combined sense of mankind could never make me doubt their conclusions. I stop my habitual thinking, as if the plough had suddenly run deeper in its furrow through the crust of the world. How can I go on, who have just stepped over such a bottomless skylight in the bog of my life. Suddenly old Time winked at me⁠—Ah, you know me, you rogue⁠—and news had come that it was well. That ancient universe is in such capital health, I think undoubtedly it will never die. Heal yourselves, doctors; by God, I live.

Then idle Time ran gadding by

And left me with Eternity alone;

I hear beyond the range of sound,

I see beyond the verge of sight⁠—

I see, smell, taste, hear, feel, that everlasting Something to which we are allied, at once our maker, our abode, our destiny, our very Selves; the one historic truth, the most remarkable fact which can become the distinct and uninvited subject of our thought, the actual glory of the universe; the only fact which a human being cannot avoid recognizing, or in some way forget or dispense with.

It doth expand my privacies

To all, and leave me single in the crowd.

I have seen how the foundations of the world are laid, and I have not the least doubt that it will stand a good while.

Now chiefly is my natal hour,

And only now my prime of life.

I will not doubt the love untold,

Which not my worth nor want hath bought,

Which wooed me young and wooes me old,

And to this evening hath me brought.

What are ears? what is Time? that this particular series of sounds called a strain of music, an invisible and fairy troop which never brushed the dew from any mead, can be wafted down through the centuries from Homer to me, and he have been conversant with that same aerial and mysterious charm which now so tingles my ears? What a fine communication from age to age, of the fairest and noblest thoughts, the aspirations of ancient men, even such as were never communicated by speech, is music! It is the flower of language, thought colored and curved, fluent and flexible, its crystal fountain tinged with the sun’s rays, and its purling ripples reflecting the grass and the clouds. A strain of music reminds me of a passage of the Vedas, and I associate with it the idea of infinite remoteness, as well as of beauty and serenity, for to the senses that is farthest from us which addresses the greatest depth within us. It teaches us again and again to trust the remotest and finest as the divinest instinct, and makes a dream our only real experience. We feel a sad cheer when we hear it, perchance because we that hear are not one with that which is heard.

Therefore a torrent of sadness deep,

Through the strains of thy triumph is heard to sweep.

The sadness is ours. The Indian poet Kālidās says in the Shakuntala: “Perhaps the sadness of men on seeing beautiful forms and hearing sweet music arises from some faint remembrance of past joys, and the traces of connections in a former state of existence.” As polishing expresses the vein in marble, and grain in wood, so music brings out what of heroic lurks anywhere. The hero is the sole patron of music. That harmony which exists naturally between the hero’s moods and the universe the soldier would fain imitate with drum and trumpet. When we are in health all sounds fife and drum for us; we hear the notes of music in the air, or catch its echoes dying away when we awake in the dawn. Marching is when the pulse of the hero beats in unison with the pulse of Nature, and he steps to the measure of the universe; then there is true courage and invincible strength.

Plutarch says that “Plato thinks the gods never gave men music, the science of melody and harmony, for mere delectation or to tickle the ear; but that the discordant parts of the circulations and beauteous fabric of the soul, and that of it that roves about the body, and many times, for want of tune and air, breaks forth into many extravagances and excesses, might be sweetly recalled and artfully wound up to their former consent and agreement.”

Music is the sound of the universal laws promulgated. It is the only assured tone. There are in it such strains as far surpass any man’s faith in the loftiness of his destiny. Things are to be learned which it will be worth the while to learn. Formerly I heard these

There is a vale which none hath seen,

Where foot of man has never been,

Such as here lives with toil and strife,

An anxious and a sinful life.

There every virtue has its birth,

Ere it descends upon the earth,

And thither every deed returns,

Which in the generous bosom burns.

There love is warm, and youth is young,

And poetry is yet unsung,

For Virtue still adventures there,

And freely breathes her native air.

And ever, if you hearken well,

You still may hear its vesper bell,

And tread of high-souled men go by,

Their thoughts conversing with the sky.

According to Iamblichus, “Pythagoras did not procure for himself a thing of this kind through instruments or the voice, but employing a certain ineffable divinity, and which it is difficult to apprehend, he extended his ears and fixed his intellect in the sublime symphonies of the world, he alone hearing and understanding, as it appears, the universal harmony and consonance of the spheres, and the stars that are moved through them, and which produce a fuller and more intense melody than anything effected by mortal sounds.”

Travelling on foot very early one morning due east from here about twenty miles, from Caleb Harriman’s tavern in Hampstead toward Haverhill, when I reached the railroad in Plaistow, I heard at some distance a faint music in the air like an Aeolian harp, which I immediately suspected to proceed from the cord of the telegraph vibrating in the just awakening morning wind, and applying my ear to one of the posts I was convinced that it was so. It was the telegraph harp singing its message through the country, its message sent not by men, but by gods. Perchance, like the statue of Memnon, it resounds only in the morning, when the first rays of the sun fall on it. It was like the first lyre or shell heard on the seashore⁠—that vibrating cord high in the air over the shores of earth. So have all things their higher and their lower uses. I heard a fairer news than the journals ever print. It told of things worthy to hear, and worthy of the electric fluid to carry the news of, not of the price of cotton and flour, but it hinted at the price of the world itself and of things which are priceless, of absolute truth and beauty.

Still the drum rolled on, and stirred our blood to fresh extravagance that night. The clarion sound and clang of corselet and buckler were heard from many a hamlet of the soul, and many a knight was arming for the fight behind the encamped stars.

Before each van

Prick forth the aery knights, and couch their spears

Till thickest legions close; with feats of arms

From either end of Heaven the welkin burns.

Away! away! away! away!

Ye have not kept your secret well,

I will abide that other day,

Those other lands ye tell.

Has time no leisure left for these,

The acts that ye rehearse?

Is not eternity a lease

For better deeds than verse?

’Tis sweet to hear of heroes dead,

To know them still alive,

But sweeter if we earn their bread,

And in us they survive.

Our life should feed the springs of fame

With a perennial wave.

As ocean feeds the babbling founts

Which find in it their grave.

Ye skies drop gently round my breast,

And be my corselet blue,

Ye earth receive my lance in rest,

My faithful charger you;

Ye stars my spearheads in the sky,

My arrow-tips ye are;

I see the routed foemen fly,

My bright spears fixed are.

Give me an angel for a foe,

Fix now the place and time,

And straight to meet him I will go

Above the starry chime.

And with our clashing bucklers’ clang

The heavenly spheres shall ring,

While bright the northern lights shall hang

Beside our tourneying.

And if she lose her champion true,

Tell Heaven not despair,

For I will be her champion new,

Her fame I will repair.

There was a high wind this night, which we afterwards learned had been still more violent elsewhere, and had done much injury to the cornfields far and near; but we only heard it sigh from time to time, as if it had no license to shake the foundations of our tent; the pines murmured, the water rippled, and the tent rocked a little, but we only laid our ears closer to the ground, while the blast swept on to alarm other men, and long before sunrise we were ready to pursue our voyage as usual.