Essays · Homer (2/3) (2/2)

But, in justification of our praise, we must refer the hearer to his works themselves, to the Prologue to the Canterbury Tales, the account of Gentilesse, the Flower and the Leaf, the stories of Griselda, Virginia, Ariadne, and Blanche the Dutchesse, and much more of less distinguished merit. There are many poets of more taste and better manners, who knew how to leave out their dullness, but such negative genius cannot detain us long; we shall return to Chaucer still with love. Even the clown has taste, whose dictates, though he disregards them, are higher and purer than those which the artist obeys; and some natures, which are rude and ill-developed, have yet a higher standard of perfection, than others which are refined and well-balanced. Though the peasant’s cot is dark, it has the evening star for taper, while the nobleman’s saloon is meanly lighted. If we have to wander through many dull and prosaic passages in Chaucer, we have at least the satisfaction of knowing that it is not an artificial dullness, but too easily matched by many passages in life, and it is, perhaps more pleasing, after all, to meet with a fine thought in its natural setting. We confess we feel a disposition commonly to concentrate sweets, and accumulate pleasures, but the poet may be presumed always to speak as a traveller, who leads us through a varied scenery, from one eminence to another, and, from time to time, a single casual thought rises naturally and inevitably, with such majesty and escort only as the first stars at evening. And surely fate has enshrined it in these circumstances for some end. Nature strews her nuts and flowers broadcast, and never collects them into heaps. This was the soil it grew in, and this the hour it bloomed in; if sun, wind, and rain, came here to cherish and expand the flower, shall not we come here to pluck it?