Short Fiction · The Stalls of Barchester Cathedral (3/3)

I had already formed the conclusion that Dr. Haynes was responsible for the death of Dr. Pulteney. But the incident connected with the carved figure of death upon the archdeacon’s stall was a very perplexing feature. The conjecture that it had been cut out of the wood of the Hanging Oak was not difficult, but seemed impossible to substantiate. However, I paid a visit to Barchester, partly with the view of finding out whether there were any relics of the woodwork to be heard of. I was introduced by one of the canons to the curator of the local museum, who was, my friend said, more likely to be able to give me information on the point than anyone else. I told this gentleman of the description of certain carved figures and arms formerly on the stalls, and asked whether any had survived. He was able to show me the arms of Dean West and some other fragments. These, he said, had been got from an old resident, who had also once owned a figure⁠—perhaps one of those which I was inquiring for. There was a very odd thing about that figure, he said. “The old man who had it told me that he picked it up in a woodyard, whence he had obtained the still extant pieces, and had taken it home for his children. On the way home he was fiddling about with it and it came in two in his hands, and a bit of paper dropped out. This he picked up and, just noticing that there was writing on it, put it into his pocket, and subsequently into a vase on his mantelpiece. I was at his house not very long ago, and happened to pick up the vase and turn it over to see whether there were any marks on it, and the paper fell into my hand. The old man, on my handing it to him, told me the story I have told you, and said I might keep the paper. It was crumpled and rather torn, so I have mounted it on a card, which I have here. If you can tell me what it means I shall be very glad, and also, I may say, a good deal surprised.”

He gave me the card. The paper was quite legibly inscribed in an old hand, and this is what was on it:

“When I grew in the Wood

I was water’d wth Blood

Now in the Church I stand

Who that touches me with his Hand

If a Bloody hand he bear

I councell him to be ware

Lest he be fetcht away

Whether by night or day,

But chiefly when the wind blows high

In a night of February.”

“This I drempt, 26 Febr. Anno 1699. John Austin.”

“I suppose it is a charm or a spell: wouldn’t you call it something of that kind?” said the curator.

“Yes,” I said, “I suppose one might. What became of the figure in which it was concealed?”

“Oh, I forgot,” said he. “The old man told me it was so ugly and frightened his children so much that he burnt it.”