The Last Man · Volume II · Chapter 2 8 (3/4)

The enthusiasm that inspired her with this strange joy, blinded her to the horrors about her; but they were intolerably agonizing to me. The ward was filled with an effluvia that caused my heart to heave with painful qualms. The dead were carried out, and the sick brought in, with like indifference; some were screaming with pain, others laughing from the influence of more terrible delirium; some were attended by weeping, despairing relations, others called aloud with thrilling tenderness or reproach on the friends who had deserted them, while the nurses went from bed to bed, incarnate images of despair, neglect, and death. I gave gold to my luckless companion; I recommended her to the care of the attendants; I then hastened away; while the tormentor, the imagination, busied itself in picturing my own loved ones, stretched on such beds, attended thus. The country afforded no such mass of horrors; solitary wretches died in the open fields; and I have found a survivor in a vacant village, contending at once with famine and disease; but the assembly of pestilence, the banqueting hall of death, was spread only in London.

I rambled on, oppressed, distracted by painful emotions⁠—suddenly I found myself before Drury Lane Theatre. The play was Macbeth⁠—the first actor of the age was there to exert his powers to drug with irreflection the auditors; such a medicine I yearned for, so I entered. The theatre was tolerably well filled. Shakespeare, whose popularity was established by the approval of four centuries, had not lost his influence even at this dread period; but was still “Ut magus,” the wizard to rule our hearts and govern our imaginations. I came in during the interval between the third and fourth act. I looked round on the audience; the females were mostly of the lower classes, but the men were of all ranks, come hither to forget awhile the protracted scenes of wretchedness, which awaited them at their miserable homes. The curtain drew up, and the stage presented the scene of the witches’ cave. The wildness and supernatural machinery of Macbeth, was a pledge that it could contain little directly connected with our present circumstances. Great pains had been taken in the scenery to give the semblance of reality to the impossible. The extreme darkness of the stage, whose only light was received from the fire under the cauldron, joined to a kind of mist that floated about it, rendered the unearthly shapes of the witches obscure and shadowy. It was not three decrepit old hags that bent over their pot throwing in the grim ingredients of the magic charm, but forms frightful, unreal, and fanciful. The entrance of Hecate, and the wild music that followed, took us out of this world. The cavern shape the stage assumed, the beetling rocks, the glare of the fire, the misty shades that crossed the scene at times, the music in harmony with all witch-like fancies, permitted the imagination to revel, without fear of contradiction, or reproof from reason or the heart. The entrance of Macbeth did not destroy the illusion, for he was actuated by the same feelings that inspired us, and while the work of magic proceeded we sympathized in his wonder and his daring, and gave ourselves up with our whole souls to the influence of scenic delusion. I felt the beneficial result of such excitement, in a renewal of those pleasing flights of fancy to which I had long been a stranger. The effect of this scene of incantation communicated a portion of its power to that which followed. We forgot that Malcolm and Macduff were mere human beings, acted upon by such simple passions as warmed our own breasts. By slow degrees however we were drawn to the real interest of the scene. A shudder like the swift passing of an electric shock ran through the house, when Rosse exclaimed, in answer to “Stands Scotland where it did?”

Alas, poor country;

Almost afraid to know itself! It cannot

Be called our mother, but our grave: where nothing,

But who knows nothing, is once seen to smile;

Where sighs, and groans, and shrieks that rent the air,

Are made, not marked; where violent sorrow seems

A modern ecstasy: the dead man’s knell

Is there scarce asked, for who; and good men’s lives

Expire before the flowers in their caps,

Dying, or ere they sicken.

Each word struck the sense, as our life’s passing bell; we feared to look at each other, but bent our gaze on the stage, as if our eyes could fall innocuous on that alone. The person who played the part of Rosse, suddenly became aware of the dangerous ground he trod. He was an inferior actor, but truth now made him excellent; as he went on to announce to Macduff the slaughter of his family, he was afraid to speak, trembling from apprehension of a burst of grief from the audience, not from his fellow-mime. Each word was drawn out with difficulty; real anguish painted his features; his eyes were now lifted in sudden horror, now fixed in dread upon the ground. This show of terror increased ours, we gasped with him, each neck was stretched out, each face changed with the actor’s changes⁠—at length while Macduff, who, attending to his part, was unobservant of the high wrought sympathy of the house, cried with well acted passion:

All my pretty ones?

Did you say all?⁠—O hell kite! All?

What! all my pretty chickens, and their dam,

At one fell swoop!

A pang of tameless grief wrenched every heart, a burst of despair was echoed from every lip.⁠—I had entered into the universal feeling⁠—I had been absorbed by the terrors of Rosse⁠—I reechoed the cry of Macduff, and then rushed out as from an hell of torture, to find calm in the free air and silent street.

Free the air was not, or the street silent. Oh, how I longed then for the dear soothings of maternal Nature, as my wounded heart was still further stung by the roar of heartless merriment from the public-house, by the sight of the drunkard reeling home, having lost the memory of what he would find there in oblivious debauch, and by the more appalling salutations of those melancholy beings to whom the name of home was a mockery. I ran on at my utmost speed until I found myself I knew not how, close to Westminster Abbey, and was attracted by the deep and swelling tone of the organ. I entered with soothing awe the lighted chancel, and listened to the solemn religious chant, which spoke peace and hope to the unhappy. The notes, freighted with man’s dearest prayers, reechoed through the dim aisles, and the bleeding of the soul’s wounds was staunched by heavenly balm. In spite of the misery I deprecated, and could not understand; in spite of the cold hearths of wide London, and the corpse-strewn fields of my native land; in spite of all the variety of agonizing emotions I had that evening experienced, I thought that in reply to our melodious adjurations, the Creator looked down in compassion and promise of relief; the awful peal of the heaven-winged music seemed fitting voice wherewith to commune with the Supreme; calm was produced by its sound, and by the sight of many other human creatures offering up prayers and submission with me. A sentiment approaching happiness followed the total resignation of one’s being to the guardianship of the world’s ruler. Alas! with the failing of this solemn strain, the elevated spirit sank again to earth. Suddenly one of the choristers died⁠—he was lifted from his desk, the vaults below were hastily opened⁠—he was consigned with a few muttered prayers to the darksome cavern, abode of thousands who had gone before⁠—now wide yawning to receive even all who fulfilled the funeral rites. In vain I would then have turned from this scene, to darkened aisle or lofty dome, echoing with melodious praise. In the open air alone I found relief; among nature’s beauteous works, her God reassumed his attribute of benevolence, and again I could trust that he who built up the mountains, planted the forests, and poured out the rivers, would erect another state for lost humanity, where we might awaken again to our affections, our happiness, and our faith.

Fortunately for me those circumstances were of rare occurrence that obliged me to visit London, and my duties were confined to the rural district which our lofty castle overlooked; and here labour stood in the place of pastime, to occupy such of the country people as were sufficiently exempt from sorrow or disease. My endeavours were directed towards urging them to their usual attention to their crops, and to the acting as if pestilence did not exist. The mower’s scythe was at times heard; yet the joyless haymakers after they had listlessly turned the grass, forgot to cart it; the shepherd, when he had sheared his sheep, would let the wool lie to be scattered by the winds, deeming it useless to provide clothing for another winter. At times however the spirit of life was awakened by these employments; the sun, the refreshing breeze, the sweet smell of the hay, the rustling leaves and prattling rivulets brought repose to the agitated bosom, and bestowed a feeling akin to happiness on the apprehensive. Nor, strange to say, was the time without its pleasures. Young couples, who had loved long and hopelessly, suddenly found every impediment removed, and wealth pour in from the death of relatives. The very danger drew them closer. The immediate peril urged them to seize the immediate opportunity; wildly and passionately they sought to know what delights existence afforded, before they yielded to death, and

Snatching their pleasures with rough strife

Thorough the iron gates of life,13

they defied the conquering pestilence to destroy what had been, or to erase even from their deathbed thoughts the sentiment of happiness which had been theirs.

One instance of this kind came immediately under our notice, where a highborn girl had in early youth given her heart to one of meaner extraction. He was a schoolfellow and friend of her brother’s, and usually spent a part of the holidays at the mansion of the duke her father. They had played together as children, been the confidants of each other’s little secrets, mutual aids and consolers in difficulty and sorrow. Love had crept in, noiseless, terrorless at first, till each felt their life bound up in the other, and at the same time knew that they must part. Their extreme youth, and the purity of their attachment, made them yield with less resistance to the tyranny of circumstances. The father of the fair Juliet separated them; but not until the young lover had promised to remain absent only till he had rendered himself worthy of her, and she had vowed to preserve her virgin heart, his treasure, till he returned to claim and possess it.

Plague came, threatening to destroy at once the aim of the ambitious and the hopes of love. Long the Duke of L⁠⸺ derided the idea that there could be danger while he pursued his plans of cautious seclusion; and he so far succeeded, that it was not till this second summer, that the destroyer, at one fell stroke, overthrew his precautions, his security, and his life. Poor Juliet saw one by one, father, mother, brothers, and sisters, sicken and die. Most of the servants fled on the first appearance of disease, those who remained were infected mortally; no neighbour or rustic ventured within the verge of contagion. By a strange fatality Juliet alone escaped, and she to the last waited on her relatives, and smoothed the pillow of death. The moment at length came, when the last blow was given to the last of the house: the youthful survivor of her race sat alone among the dead. There was no living being near to soothe her, or withdraw her from this hideous company. With the declining heat of a September night, a whirlwind of storm, thunder, and hail, rattled round the house, and with ghastly harmony sung the dirge of her family. She sat upon the ground absorbed in wordless despair, when through the gusty wind and bickering rain she thought she heard her name called. Whose could that familiar voice be? Not one of her relations, for they lay glaring on her with stony eyes. Again her name was syllabled, and she shuddered as she asked herself, am I becoming mad, or am I dying, that I hear the voices of the departed? A second thought passed, swift as an arrow, into her brain; she rushed to the window; and a flash of lightning showed to her the expected vision, her lover in the shrubbery beneath; joy lent her strength to descend the stairs, to open the door, and then she fainted in his supporting arms.

A thousand times she reproached herself, as with a crime, that she should revive to happiness with him. The natural clinging of the human mind to life and joy was in its full energy in her young heart; she gave herself impetuously up to the enchantment: they were married; and in their radiant features I saw incarnate, for the last time, the spirit of love, of rapturous sympathy, which once had been the life of the world.

I envied them, but felt how impossible it was to imbibe the same feeling, now that years had multiplied my ties in the world. Above all, the anxious mother, my own beloved and drooping Idris, claimed my earnest care; I could not reproach the anxiety that never for a moment slept in her heart, but I exerted myself to distract her attention from too keen an observation of the truth of things, of the near and nearer approaches of disease, misery, and death, of the wild look of our attendants as intelligence of another and yet another death reached us; for to the last something new occurred that seemed to transcend in horror all that had gone before. Wretched beings crawled to die under our succouring roof; the inhabitants of the Castle decreased daily, while the survivors huddled together in fear, and, as in a famine-struck boat, the sport of the wild, interminable waves, each looked in the other’s face, to guess on whom the death-lot would next fall. All this I endeavoured to veil, so that it might least impress my Idris; yet, as I have said, my courage survived even despair: I might be vanquished, but I would not yield.

One day, it was the ninth of September, seemed devoted to every disaster, to every harrowing incident. Early in the day, I heard of the arrival of the aged grandmother of one of our servants at the Castle. This old woman had reached her hundredth year; her skin was shrivelled, her form was bent and lost in extreme decrepitude; but as still from year to year she continued in existence, outliving many younger and stronger, she began to feel as if she were to live forever. The plague came, and the inhabitants of her village died. Clinging, with the dastard feeling of the aged, to the remnant of her spent life, she had, on hearing that the pestilence had come into her neighbourhood, barred her door, and closed her casement, refusing to communicate with any. She would wander out at night to get food, and returned home, pleased that she had met no one, that she was in no danger from the plague. As the earth became more desolate, her difficulty in acquiring sustenance increased; at first, her son, who lived near, had humoured her by placing articles of food in her way: at last he died. But, even though threatened by famine, her fear of the plague was paramount; and her greatest care was to avoid her fellow creatures. She grew weaker each day, and each day she had further to go. The night before, she had reached Datchet; and, prowling about, had found a baker’s shop open and deserted. Laden with spoil, she hastened to return, and lost her way. The night was windless, hot, and cloudy; her load became too heavy for her; and one by one she threw away her loaves, still endeavouring to get along, though her hobbling fell into lameness, and her weakness at last into inability to move.