Struggles and Triumphs · Chapter 20 (1/2)

Soon after arriving in Havana, I discovered that a strong prejudice existed against our musical enterprise. I might rather say that the Habaneros, not accustomed to the high figure which tickets had commanded in the States, were determined on forcing me to adopt their opera prices, whereas I paid one thousand dollars per night for the Tacon Opera House, and other expenses being in proportion, I was determined to receive remunerating prices, or give no concerts. This determination on my part annoyed the Habaneros, who did not wish to be thought penurious, though they really were so. Their principal spite, therefore, was against me; and one of their papers politely termed me a “Yankee pirate,” who cared for nothing except their doubloons. They attended the concert, but were determined to show the great songstress no favor. I perfectly understood this feeling in advance, but studiously kept all knowledge of it from Miss Lind. I went to the first concert, therefore, with some misgivings in regard to her reception. The following, which I copy from the Havana correspondence of the New York Tribune, gives a correct account of it:

“Jenny Lind soon appeared, led on by Signor Belletti. Some three or four hundred persons clapped their hands at her appearance, but this token of approbation was instantly silenced by at least two thousand five hundred decided hisses. Thus, having settled the matter that there should be no forestalling of public opinion, and that if applause was given to Jenny Lind in that house it should first be incontestably earned, the most solemn silence prevailed. I have heard the Swedish Nightingale often in Europe as well as in America and have ever noticed a distinct tremulousness attending her first appearance in any city. Indeed this feeling was plainly manifested in her countenance as she neared the footlights; but when she witnessed the kind of reception in store for her⁠—so different from anything she had reason to expect⁠—her countenance changed in an instant to a haughty self-possession, her eye flashed defiance, and, becoming immovable as a statue, she stood there, perfectly calm and beautiful. She was satisfied that she now had an ordeal to pass and a victory to gain worthy of her powers. In a moment her eye scanned the immense audience, the music began and then followed⁠—how can I describe it?⁠—such heavenly strains as I verily believe mortal never breathed except Jenny Lind, and mortal never heard except from her lips. Some of the oldest Castilians kept a frown upon their brow and a curling sneer upon their lip; their ladies, however, and most of the audience began to look surprised. The gushing melody flowed on increasing in beauty and glory. The caballeros, the señoras and señoritas began to look at each other; nearly all, however, kept their teeth clenched and their lips closed, evidently determined to resist to the last. The torrent flowed deeper and faster, the lark flew higher and higher, the melody grew richer and grander; still every lip was compressed. By and by, as the rich notes came dashing in rivers upon our enraptured ears, one poor critic involuntarily whispered a ‘brava.’ This outbursting of the soul was instantly hissed down. The stream of harmony rolled on till, at the close, it made a clean sweep of every obstacle, and carried all before it. Not a vestige of opposition remained, but such a tremendous shout of applause as went up I never before heard.

“The triumph was most complete. And how was Jenny Lind affected? She who stood a few moments previous like adamant, now trembled like a reed in the wind before the storm of enthusiasm which her own simple notes had produced. Tremblingly, slowly, and almost bowing her face to the ground, she withdrew. The roar and applause of victory increased. ‘Encore! encore! encore!’ came from every lip. She again appeared, and, courtesying low, again withdrew, but again, again, and again did they call her out and at every appearance the thunders of applause rang louder and louder. Thus five times was Jenny Lind called out to receive their unanimous and deafening plaudits.”

I cannot express what my feelings were as I watched this scene from the dress circle. Poor Jenny! I deeply sympathized with her when I heard that first hiss. I indeed observed the resolute bearing which she assumed, but was apprehensive of the result. When I witnessed her triumph, I could not restrain the tears of joy that rolled down my cheeks; and rushing through a private box, I reached the stage just as she was withdrawing after the fifth encore. “God bless you, Jenny, you have settled them!” I exclaimed.

“Are you satisfied?” said she, throwing her arms around my neck. She, too, was crying with joy, and never before did she look so beautiful in my eyes as on that evening.

One of the Havana papers, notwithstanding the great triumph, continued to cry out for low prices. This induced many to absent themselves, expecting soon to see a reduction. It had been understood that we would give twelve concerts in Havana; but when they saw, after the fourth concert, which was devoted to charity, that no more were announced, they became uneasy. Committees waited upon us requesting more concerts, but we peremptorily declined. Some of the leading Dons, among whom was Count Penalver, then offered to guarantee us $25,000 for three concerts. My reply was, that there was not money enough on the island of Cuba to induce me to consent to it. That settled the matter, and gave us a pleasant opportunity for recreation.

We visited, by invitation, Mr. Brinckerhoff, the eminent American merchant at Matanzas, whom I had met at the same place three years previously, and who subsequently had visited my family in Connecticut. The gentlemanly host did everything in his power to render our stay agreeable; and Miss Lind was so delighted with his attentions and the interesting details of sugar and coffee plantations which we visited through his kindness, that as soon as she returned to Havana, she sent on the same tour of pleasure Mr. Benedict, who had been prevented by illness from accompanying us.

I found my little Italian plate-dancer, Vivalla, in Havana. He called on me frequently. He was in great distress, having lost the use of his limbs on the left side of his body by paralysis. He was thus unable to earn a livelihood, although he still kept a performing dog, which turned a spinning-wheel and performed some curious tricks. One day, as I was passing him out of the front gate, Miss Lind inquired who he was. I briefly recounted to her his history. She expressed deep interest in his case, and said something should be set apart for him in the benefit which she was about to give for charity. Accordingly, when the benefit came off, Miss Lind appropriated $500 to him, and I made the necessary arrangements for his return to his friends in Italy. At the same benefit $4,000 were distributed between two hospitals and a convent.

A few mornings after the benefit our bell was rung, and the servant announced that I was wanted. I went to the door and found a large procession of children, neatly dressed and bearing banners, attended by ten or twelve priests, arrayed in their rich and flowing robes. I inquired their business, and was informed that they had come to see Miss Lind, to thank her in person for her benevolence. I took their message, and informed Miss Lind that the leading priests of the convent had come in great state to see and thank her. “I will not see them,” she replied; “they have nothing to thank me for. If I have done good, it is no more than my duty, and it is my pleasure. I do not deserve their thanks, and I will not see them.” I returned her answer, and the leaders of the grand procession went away in disappointment.

The same day Vivalla called, and brought her a basket of the most luscious fruit that he could procure. The little fellow was very happy and extremely grateful. Miss Lind had gone out for a ride.

“God bless her! I am so happy; she is such a good lady. I shall see my brothers and sisters again. Oh, she is a very good lady,” said poor Vivalla, overcome by his feelings. He begged me to thank her for him, and give her the fruit. As he was passing out of the door, he hesitated a moment, and then said, “Mr. Barnum, I should like so much to have the good lady see my dog turn a wheel; it is very nice; he can spin very good. Shall I bring the dog and wheel for her? She is such a good lady, I wish to please her very much.” I smiled, and told him she would not care for the dog; that he was quite welcome to the money, and that she refused to see the priests from the convent that morning, because she never received thanks for favors.

When Jenny came in I gave her the fruit, and laughingly told her that Vivalla wished to show her how his performing dog could turn a spinning-wheel.

“Poor man, poor man, do let him come; it is all the good creature can do for me,” exclaimed Jenny, and the tears flowed thick and fast down her cheeks. “I like that, I like that,” she continued; “do let the poor creature come and bring his dog. It will make him so happy.”

I confess it made me happy, and I exclaimed, for my heart was full, “God bless you, it will make him cry for joy; he shall come tomorrow.”

I saw Vivalla the same evening, and delighted him with the intelligence that Jenny would see his dog perform the next day, at four o’clock precisely.

“I will be punctual,” said Vivalla, in a voice trembling with emotion; “but I was sure she would like to see my dog perform.”

For full half an hour before the time appointed did Jenny Lind sit in her window on the second floor and watch for Vivalla and his dog. A few minutes before the appointed hour, she saw him coming. “Ah, here he comes! here he comes!” she exclaimed in delight, as she ran downstairs and opened the door to admit him. A negro boy was bringing the small spinning-wheel, while Vivalla led the dog. Handing the boy a silver coin, she motioned him away, and taking the wheel in her arms, she said, “This is very kind of you to come with your dog. Follow me. I will carry the wheel upstairs.” Her servant offered to take the wheel, but no, she would let no one carry it but herself. She called us all up to her parlor, and for one full hour did she devote herself to the happy Italian. She went down on her knees to pet the dog and to ask Vivalla all sorts of questions about his performances, his former course of life, his friends in Italy, and his present hopes and determinations. Then she sang and played for him, gave him some refreshments, finally insisted on carrying his wheel to the door, and her servant accompanied Vivalla to his boardinghouse.

Poor Vivalla! He was probably never so happy before, but his enjoyment did not exceed that of Miss Lind. That scene alone would have paid me for all my labors during the entire musical campaign. A few months later, however, the Havana correspondent of the New York Herald announced the death of Vivalla and stated that the poor Italian’s last words were about Jenny Lind and Mr. Barnum.

When Captain Rawlings, of the Steamer Isabella made his next return trip from Charleston, he brought a fine lot of game and invited Messrs. Benedict, Belletti and myself to a breakfast on board, where we met Mr. John Howard, of the Irving House, New York, Mr. J. B. Monnot, of the New York Hotel, Mr. Mixer, of the Charleston Hotel, and Mr. Monroe of one of the Havana hotels. The breakfast was a very nice one, and was accompanied by some “very fine old Madeira,” which received the highest encomiums of the company.

“Now,” said Captain Rawlings, “you must break your rule once, Mr. Barnum, and wash down your game with a glass or two of this choice Madeira. It is very old and fine, as smooth as oil, and the game is hardly game without it. Do take some.”

I positively declined, saying I did not doubt that he had the genuine article for once, but that most of what was offered and sold as wine did not contain a single drop of the juice of the grape. This led to a general talk about the impositions practised, even in the best hotels, in serving customers with “fine old wines and liquors” at the bar and at the table, and some very curious and amusing stories were told and confessions made. But there could be no mistake about this Madeira; it was rich, rare, old, oily, and genuine in flavor and quality; all the connoisseurs at the table were unanimous in their verdict.

But when the breakfast was over and we were going ashore, as I was sitting next the captain in his own boat, he said to me:

“Barnum, that fine old Madeira is the real ‘game’ of my game breakfast; I wanted to test those experienced tasters, and I gave them some wine which I bought for a dollar and a half a gallon at a corner grocery in Charleston.”

In the party which accompanied me to Havana, was Mr. Henry Bennett, who formerly kept Peale’s Museum in New York, afterwards managing the same establishment for me when I purchased it, and he was now with me in the capacity of a ticket-taker. He was as honest a man as ever lived, and a good deal of a wag. I remember his going through the market once and running across a decayed actor who was reduced to tending a market stand; Bennett hailed him with “Hallo! what are you doing here; what are you keeping that old turkey for?”

“O! for a profit,” replied the actor.

“Prophet, prophet!” exclaimed Bennett, “patriarch, you mean!”

With all his waggery he was subject at times to moods of the deepest despondency, bordering on insanity. Madness ran in his family. His brother, in a fit of frenzy, had blown his brains out. Henry himself had twice attempted his own life while in my employ in New York. Some time after our present journey to Havana, I sent him to London. He conducted my business precisely as I directed, writing up his account with me correctly to a penny. Then handing it to a mutual friend with directions to give it to me when I arrived in London the following week, he went to his lodgings and committed suicide.

While we were in Havana, Bennett was so despondent at times that we were obliged to watch him carefully, lest he should do some damage to himself or others. When we left Havana for New Orleans, on board the steamer Falcon, Mr. James Gordon Bennett, editor of the New York Herald, and his wife were also passengers. After permitting one favorable notice in his paper, Bennett had turned around, as usual, and had abused Jenny Lind and bitterly attacked me. There was an estrangement, no new thing, between the editor and myself. The Herald, in its desire to excite attention, has a habit of attacking public men and I had not escaped. I was always glad to get such notices, for they served as inexpensive advertisements to my Museum, and brought custom to me free of charge.

Ticket-taker Bennett, however, took much to heart the attacks of Editor Bennett upon Jenny Lind, and while in New York he threatened to cowhide his namesake, as so many men have actually done in days gone by, but I restrained him. When Editor Bennett came on board the Falcon, he had in his arms a small pet monkey belonging to his wife, and the animal was placed in a safe place on the forward deck. When Henry Bennett saw the editor he said to a bystander:

“I would willingly be drowned if I could see that old scoundrel go to the bottom of the sea.”

Several of our party overheard the remark and I turned laughingly to Bennett and said: “Nonsense; he can’t harm anyone and there is an old proverb about the impossibility of drowning those who are born to another fate.”

That very night, however, as I stood near the cabin door, conversing with my treasurer and other members of my company, Henry Bennett came up to me with a wild air, and hoarsely whispered:

“Old Bennett has gone forward alone in the dark to feed his monkey, and d⁠⸺⁠n him, I am going to throw him overboard.”